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Portal:Arts

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The arts is a vast subdivision of culture, encompassing many creative endeavors and disciplines. It is a broader term than "art", which, used as of a field, usually means only the visual arts. The arts encompass the visual arts, the literary arts and the performing artsmusic, theatre, dance and film, among others. This list is by no means comprehensive, but only meant to introduce the concept of the arts. For all intents and purposes, the history of the arts begins with the history of art. The arts might have origins in early human evolutionary prehistory.

Ancient Greek art saw the veneration of the animal form and the development of equivalent skills to show musculature, poise, beauty and anatomically correct proportions. Ancient Roman art depicted gods as idealized humans, shown with characteristic distinguishing features (e.g. Jupiter's thunderbolt). In Byzantine and Gothic art of the Middle Ages, the dominance of the church insisted on the expression of biblical and not material truths. Eastern art has generally worked in a style akin to Western medieval art, namely a concentration on surface patterning and local colour (meaning the plain colour of an object, such as basic red for a red robe, rather than the modulations of that colour brought about by light, shade and reflection). A characteristic of this style is that the local colour is often defined by an outline (a contemporary equivalent is the cartoon). This is evident in, for example, the art of India, Tibet and Japan. Religious Islamic art forbids iconography, and expresses religious ideas through geometry instead. The physical and rational certainties depicted by the 19th-century Enlightenment were shattered not only by new discoveries of relativity by Einstein and of unseen psychology by Freud, but also by unprecedented technological development. Paradoxically the expressions of new technologies were greatly influenced by the ancient tribal arts of Africa and Oceania, through the works of Paul Gauguin and the Post-Impressionists, Pablo Picasso and the Cubists, as well as the Futurists and others.

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The Entombment
The Entombment is a glue-size painting on linen attributed to the Early Netherlandish painter Dirk Bouts. It shows a scene from the biblical entombment of Christ, probably completed between 1440 and 1455 as a wing panel for a large hinged polyptych altarpiece. The now lost altarpiece is thought to have contained a central crucifixion scene flanked by four wing panel works half its length (two either side) depicting scenes from the life of Christ. The larger work was probably commissioned for export, possibly to a Venetian patron whose identity is lost. The Entombment was first recorded in a mid-19th century Milan inventory and has been in the National Gallery, London since its purchase on the gallery's behalf by Charles Eastlake in 1861. The Entombment is renowned for its austere but affecting portrayal of sorrow and grief. It shows four female and three male mourners grieving over the body of Christ. It is one of the few surviving 15th-century paintings created using glue-size, an extremely fragile medium lacking durability.

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The Qianlong Emperor was the sixth emperor of the Manchu-led Qing Dynasty, and the fourth Qing emperor to rule over China. The fourth son of the Yongzheng Emperor, his reign officially began 11 October 1735, lasting for 60 years. Named Hongli, he chose the era name Qianlong, meaning "heavenly prosperity". Although his early years saw the continuation of an era of prosperity and great military success in China, his final years saw troubles at home and abroad converge on the Qing Empire. Qianlong abdicated the throne at the age of 85, to his son, the Jiaqing Emperor, fulfilling his promise not to reign longer than his grandfather, the Kangxi Emperor.

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El Lissitzky, c. 1914
El Lissitzky was a Russian artist, designer, photographer, teacher, typographer, and architect. He was one of the most important figures of the Russian avant-garde, helping develop suprematism with his friend and mentor, Kazimir Malevich, and designed numerous exhibition displays and propaganda works for the former Soviet Union. His work greatly influenced the Bauhaus, Constructivist, and De Stijl movements and experimented with production techniques and stylistic devices that would go on to dominate 20th century graphic design. Lissitzky's entire career was laced with the belief that the artist could be an agent for change, later summarised with his edict, "das zielbewußte Schaffen" (The task-oriented creation). In 1941 he produced one of his last known works — a Soviet propaganda poster rallying the people to construct more tanks for the fight against Nazi Germany.

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A la Nanita Nana, a Spanish Christmas carol, performed by the U.S. Army Band Chorus in Spanish and English.

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