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Portal:Arts

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An artist's palette

An artist's palette

The arts is a vast subdivision of culture, composed of many creative endeavors and disciplines. It is a broader term than "art", which, as a description of a field, usually means only the visual arts. The arts encompass the visual arts, the literary arts and the performing artsmusic, theatre, dance and film, among others. This list is by no means comprehensive, but only meant to introduce the concept of the arts. For all intents and purposes, the history of the arts begins with the history of art. The arts might have origins in early human evolutionary prehistory.

Ancient Greek art saw the veneration of the animal form and the development of equivalent skills to show musculature, poise, beauty and anatomically correct proportions. Ancient Roman art depicted gods as idealized humans, shown with characteristic distinguishing features (e.g. Jupiter's thunderbolt). In Byzantine and Gothic art of the Middle Ages, the dominance of the church insisted on the expression of biblical and not material truths. Eastern art has generally worked in a style akin to Western medieval art, namely a concentration on surface patterning and local colour (meaning the plain colour of an object, such as basic red for a red robe, rather than the modulations of that colour brought about by light, shade and reflection). A characteristic of this style is that the local colour is often defined by an outline (a contemporary equivalent is the cartoon). This is evident in, for example, the art of India, Tibet and Japan. Religious Islamic art forbids iconography, and expresses religious ideas through geometry instead. The physical and rational certainties depicted by the 19th-century Enlightenment were shattered not only by new discoveries of relativity by Einstein and of unseen psychology by Freud, but also by unprecedented technological development. Paradoxically the expressions of new technologies were greatly influenced by the ancient tribal arts of Africa and Oceania, through the works of Paul Gauguin and the Post-Impressionists, Pablo Picasso and the Cubists, as well as the Futurists and others.

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The Magdalen Reading
The Magdalen Reading is one of three surviving fragments of a large mid-15th century oil-on-oak altarpiece by the early Netherlandish painter Rogier van der Weyden. Completed some time between 1435 and 1438, it has been in the National Gallery, London since 1860. It shows a woman with the pale skin, high cheek bones and oval eyebrows typical of the idealised portraits of noble women of the period. The woman is identifiable as the Magdalen from the jar of ointment placed in the foreground, which, according to the Gospels, she used to clean Christ's feet. The background of the painting had been overpainted with a thick layer of brown paint. A cleaning between 1955 and 1956 revealed the figure standing behind the Magdalen and the kneeling figure with bare feet protruding in front of her, with a landscape visible through a window. The original altarpiece was a sacra conversazione known only through a drawing, Virgin and Child with Saints. The panel was purchased by the National Gallery from a collector in Paris. It is described by art historian Lorne Campbell as "one of the great masterpieces of 15th-century art and among van der Weyden's most important early works."

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Ancient Mexican calendarCredit: Artist: A. de Leon y Gama; Restoration: Garrondo/Lise Broer

An illustration depicting an ancient Mexican calendar. The Maya and Aztec calendars are the most familiar of the Mexican calendars, but similar ones were used by other cultures. Common to all Mesoamerican cultures was the 260-day ritual calendar that had no confirmed correlation to astronomical or agricultural cycles. These were used in combination with a separate 365-day calendar to create a 52-year cycle known as a calendar round.

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painting of coach and horses

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Pablo Picasso

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John Douglas
John Douglas (1830–1911) was an English architect who designed about 500 buildings in Cheshire, North Wales and northwest England, in particular in the estate of Eaton Hall. Douglas' output included the creation, restoration and renovation of churches, church furnishings, houses and other buildings. His architectural styles were eclectic and many of his works incorporate elements of the English Gothic style. He was also influenced by architectural styles from the mainland of Europe and included elements of French, German and Netherlandish architecture into his works. He is remembered for his use of half-timbering, tile-hanging, pargeting, decorative brick in diapering and the design of tall chimney stacks. Of particular importance is Douglas' use of joinery and highly detailed wood carving. Throughout his career he attracted commissions from wealthy landowners and industrialists. Most of his works have survived. The city of Chester contains a number of his structures, the most admired of which are his half-timbered black-and-white buildings and Eastgate Clock. The highest concentration of his work is found in the Eaton Hall estate and the surrounding villages of Eccleston, Aldford and Pulford.

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Instrumental version of the most famous song from the 1921 musical Shuffle Along, recorded during its original Broadway run. Later used as a presidential campaign song for Harry Truman.

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