Mary Richardson

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search

Mary Richardson
Mary Raleigh Richardson.jpg
Mary Richardson, circa 1913
Born 1882/3
Died (1961-11-07)7 November 1961
Nationality British
Occupation Journalist
Known for Slashing the Rokeby Venus

Mary Raleigh Richardson (1882/3 – 7 November 1961) was a Canadian suffragette active in the women's suffrage movement in the United Kingdom, an arsonist and later the head of the women's section of the British Union of Fascists (BUF) led by Sir Oswald Mosley.

Life

She grew up in Belleville, Ontario, Canada. In 1898, she travelled to Paris and Italy. She lived in Bloomsbury, and witnessed Black Friday.[1]

Militant actions

At the beginning of the 20th century, the suffragette movement, frustrated by a failure to achieve equal voting rights for women, began adopting increasingly militant tactics. In particular, the Women's Social and Political Union (WSPU), led by the charismatic Emmeline Pankhurst, frequently endorsed the use of property destruction to bring attention to the issue of women's suffrage. Richardson was a devoted supporter of Pankhurst and a member of the WSPU.

Richardson claimed to be at the Epsom races on Derby Day, 4 June 1913, when Emily Davison jumped in front of the King's horse. Emily Davison died in Epsom Cottage Hospital; Mary Richardson was reportedly chased and beaten by an angry mob but was given refuge in Epsom Downs station by a railway porter.[2]

She committed a number of acts of arson, smashed windows at the Home Office and bombed a railway station. She was arrested nine times, receiving prison terms totalling more than three years.[3][4] She was one of the first two women force-fed under the 1913 Cat and Mouse Act in HM Prison Holloway.[5] Richardson would recover at the cottage of Lillian Dove-Willcox in the Wye valley. She was devoted to Dove-Wilcox and wrote poetry about her love for her.[6]

Slashing the Rokeby Venus

Damage done to the Rokeby Venus by Mary Richardson's attack. The canvas was later fully restored.[7]

Richardson's most famous act of defiance occurred on 10 March 1914 when she entered the National Gallery in London and slashed Velázquez's famous painting the Rokeby Venus with a chopper she smuggled into the gallery.[8]

She wrote a brief statement explaining her actions to the WSPU which was immediately printed by the press:[9]

"I have tried to destroy the picture of the most beautiful woman in mythological history as a protest against the Government for destroying Mrs Pankhurst, who is the most beautiful character in modern history. Justice is an element of beauty as much as colour and outline on canvas. Mrs Pankhurst seeks to procure justice for womanhood, and for this she is being slowly murdered by a Government of Iscariot politicians. If there is an outcry against my deed, let every one remember that such an outcry is an hypocrisy so long as they allow the destruction of Mrs Pankhurst and other beautiful living women, and that until the public cease to countenance human destruction the stones cast against me for the destruction of this picture are each an evidence against them of artistic as well as moral and political humbug and hypocrisy."[10]

As a Fascist

In 1932, after forming the belief that fascism was the "only path to a 'Greater Britain,'" Richardson joined the British Union of Fascists (BUF), led by Oswald Mosley. She claimed that "I was first attracted to the Blackshirts because I saw in them the courage, the action, the loyalty, the gift of service and the ability to serve which I had known in the suffragette movement".[11] Richardson rose quickly through the BUF ranks and by 1934 was Chief Organiser for the Women's Section of the party. She left within two years after becoming disillusioned with the sincerity of its policy on women.[12]

Two other prominent suffragette leaders to gain high office in the BUF were Norah Elam[13] and Commandant Mary Sophia Allen.[14]

Later life

Richardson published her autobiography, Laugh a Defiance, in 1953. She died at her flat in Hastings on 7 November 1961.[1]

See also

Notes

  1. ^ a b Kean 2004.
  2. ^ Hastings Press Archived 18 February 2012 at the Wayback Machine.Google Books
  3. ^ English Women's History Archived 18 February 2012 at the Wayback Machine.
  4. ^ Feminine fascism: women in Britain's fascist movement – Julie V. Gottlieb – Google Books
  5. ^ Entry for Mary Richardson, Dictionary of National Biography, Oxford University Press
  6. ^ "lillian dove-willcox | Woman and her Sphere". womanandhersphere.com. Retrieved 2018-04-05. 
  7. ^ Potterton, Homan. The National Gallery. London: Thames and Hudson, 1977. 15
  8. ^ BBC Radio 4 – Woman's Hour – Women's History Timeline: 1910 – 1919
  9. ^ Gamboni, The Destruction of Art, p. 94.
  10. ^ "Miss Richardson's Statement". The Times. 11 March 1914. 
  11. ^ Gottlieb, op cit at 164
  12. ^ McCouat, P, "From Rokeby Venus to Fascism", Journal of Art in Society, [1]
  13. ^ McPherson, Angela; McPherson, Susan (2011). Mosley's Old Suffragette – A Biography of Norah Elam. ISBN 978-1-4466-9967-6. Archived from the original on 13 January 2012. 
  14. ^ Boyd, N, From Suffragette to Fascist, The History Press, 2013

References

Bibliography

  • Gamboni, Dario. The Destruction of Art: Iconoclasm and Vandalism since the French Revolution. Reaktion Books – Picturing History, 2007. ISBN 1-86189-316-7
  • Nead, Lynda. The Female Nude: Art, Obscenity, and Sexuality. Routledge, 1992. ISBN 0-415-02677-6
  • Prater, Andreas. Venus at Her Mirror: Velázquez and the Art of Nude Painting. Prestel, 2002. ISBN 3-7913-2783-6
Retrieved from "https://en.wikipedia.org/w/index.php?title=Mary_Richardson&oldid=834348374"
This content was retrieved from Wikipedia : http://en.wikipedia.org/wiki/Mary_Richardson
This page is based on the copyrighted Wikipedia article "Mary Richardson"; it is used under the Creative Commons Attribution-ShareAlike 3.0 Unported License (CC-BY-SA). You may redistribute it, verbatim or modified, providing that you comply with the terms of the CC-BY-SA