Madame Curie (film)

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Madame Curie
Madame Curie (film) poster.jpg
Theatrical release poster
Directed by Mervyn LeRoy
Produced by Sidney Franklin
Written by Aldous Huxley
Paul Osborn
Hans Rameau
Walter Reisch
Based on Madame Curie
1938 novel
by Ève Curie
Starring Greer Garson
Walter Pidgeon
Henry Travers
Music by Herbert Stothart
William Axt
Cinematography Joseph Ruttenberg
Edited by Harold F. Kress
Distributed by Metro-Goldwyn-Mayer
Release date
  • December 15, 1943 (1943-12-15)
Running time
124 minutes
Country United States
Language English
Budget $1,938,000[1]
Box office $4,610,000[1]

Madame Curie is a 1943 biographical film made by Metro-Goldwyn-Mayer.[2][3] The film was directed by Mervyn LeRoy and produced by Sidney Franklin from a screenplay by Paul Osborn, Paul H. Rameau, and Aldous Huxley (uncredited), adapted from the biography by Ève Curie. It stars Greer Garson, Walter Pidgeon, with supporting performances by Robert Walker, Henry Travers, and Albert Bassermann.

The film tells the story of Polish-French physicist Marie Curie in 1890s Paris as she begins to share a laboratory with her future husband, Pierre Curie.

This was the fourth of nine onscreen pairings between Pidgeon and Garson.[4]

In several versions, much of the scientific aspects of the film were cut down or edited out entirely. Turner Classic Movies has shown it unedited at 124 minutes.


Marie Sklodowska (Greer Garson) is a poor, idealistic student living in Paris and studying at the Sorbonne. She neglects her health and one day faints during class. Her tutor, Prof. Perot (Albert Bassermann) is sympathetic and, finding that she has no friends or family in Paris, invites her to a soirée his wife is throwing for a "few friends" (primarily professors and their wives). Among the many guests is physicist Pierre Curie (Walter Pidgeon), an extremely shy and absentminded man completely devoted to his work. He allows Marie to share his lab and finds that she is a gifted scientist. Appalled that she plans on returning to Poland to teach after graduation, rather than devoting her life to further study, he takes her to visit his family in their country home. Marie and Pierre both tend to concentrate on science to the extent that they don't realize until the last minute they have fallen in love. Even when Pierre asks Marie to be his wife, he does so in terms of reason, logic and chemistry.

Fascinated by a demonstration she saw as an undergraduate, of a pitchblende rock that seems to generate enough energy to take small photographs, Marie decides to make the rock's energy the subject of her doctoral study. The measurements she takes don't seem to add up, and she decides there must be a third radioactive element in the rock in addition to the two she knows are in there. In the midst of discussing this, she discloses offhandedly to Pierre's family that she is pregnant.

The physics department at the Sorbonne refuses to fund their research without more proof of the element's existence, but allows them to use a dilapidated old shed across the courtyard from the physics building. In spite of its disadvantages, they import eight tons of pitchblende ore and cook it down to look for the element they call radium. In spite of inability to separate out pure radium, they know something is definitely there, as Marie's hands are being burned. They hit on a tedious method of crystallization to arrive at pure radium.

Now world-famous, they go on vacation to rest after all the press conferences and the Nobel Prize. They're granted a new laboratory by the university; before its dedication Marie shows off her new dress, inspiring Pierre to go get her a set of earrings to go with it. Walking home in the rain, he absentmindedly crosses the street in front of a delivery wagon and is run down and killed. Marie almost loses her mind, but after the concerned Prof. Perot counsels her, she rallies when she remembers Pierre's words that if one of them is gone, the other must go on working just the same. Finally, Marie gives a speech at the 25th anniversary celebration of the discovery of radium, expressing her belief that science is the path to a better world.



Universal Studios quickly bought the rights to Ève Curie's book, with Irene Dunne in mind to play Marie. Dunne traveled to Europe and met with Ève Curie to discuss the project, but Universal sold the property to MGM a few years later.[4] In March 1938, Anita Loos contacted Aldous Huxley, then recently moved to Hollywood, saying she would put him in touch with MGM for a writing contract. Madame Curie was originally to star Greta Garbo and be directed by George Cukor.[5] MGM ultimately rejected Huxley's script for Madame Curie as "too literary," and the project again was shelved when Garbo left MGM in 1941.[4]

Mervyn LeRoy replaced Albert Lewin, who was fired shortly before production began.

While the film is heavily fictionalized for dramatic purposes, the plot managed to adhere to the facts more than most biopics of the 1930s and 40s.[4] Madame Curie completely omits any mention of Marie's family in Paris, including her sister Bronislawa, an obstetrician, with whom she was very close. There is also virtually no mention of Marie's intense devotion to politics and the liberation/independence of her native Poland.

Author James Hilton was the narrator for this film.

Box office

According to MGM records the film earned $2,575,000 in the US and Canada and $2,035,000 elsewhere resulting in a profit of $1,086,000.[1][6]


Academy Awards



The film is recognized by American Film Institute in these lists:


  1. ^ a b c The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study .
  2. ^ Variety film review; November 24, 1943, page 18.
  3. ^ Harrison's Reports film review; November 20, 1943, page 187.
  4. ^ a b c d "Madame Curie". Turner Classic Movies. Retrieved January 20, 2014.
  5. ^ Sybille Bedford, Aldous Huxley: A Biography (1974), p. 369 and Barry Paris, Garbo (1996)
  6. ^ "Top Grossers of the Season", Variety, 5 January 1944 p 54
  7. ^ " -- Madame Curie" Archived 2014-01-20 at Academy of Motion Picture Arts and Sciences. Retrieved January 20, 2014.
  8. ^ "AFI's 100 Years...100 Heroes & Villains Nominees" (PDF). Retrieved 2016-08-14. 
  9. ^ "AFI's 100 Years...100 Cheers" (PDF). American Film Institute. Retrieved 2016-08-14. 

External links

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