List of works about Rembrandt

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Rembrandt statue and the sculptures of The Night Watch in 3D at the Rembrandtplein in Amsterdam
Rembrandt statue in Leiden
Rembrandt and Saskia

Rembrandt Harmenszoon van Rijn (1606–1669) is one of the most famous[1][2] and best expertly researched (visual) artists in history.[3][4]

His life and art have long attracted the attention of multidisciplinary scholarship such as art history, social history, cultural history, history of ideas, education, humanities, aesthetics, philosophy, psychology, literary studies, anatomy, medicine, religious studies, theology, Jewish studies, Oriental studies (Asian studies), and art market research. In Rembrandt scholar Stephanie Dickey's words:

[Rembrandt] earned international renown as a painter, printmaker, teacher, and art collector while never leaving the Dutch Republic. In his home city of Leiden and in Amsterdam, where he worked for nearly forty years, he mentored generations of other painters and produced a body of work that has never ceased to attract admiration, critique, and interpretation. (...) Rembrandt's art is a key component in any study of the Dutch Golden Age, and his membership in the canon of artistic genius is well established, but he is also a figure whose significance transcends specialist interest. Literary critics have pondered "Rembrandt" as a "cultural text"; novelists, playwrights, and filmmakers have romanticized his life, and in popular culture, his name has become synonymous with excellence for products and services, ranging from toothpaste to self-help advice."[4]

For a visual artist in general and an Old Master in particular, Rembrandt (i.e. his life, art, and circle) has been the subject of a vast amount of literature that includes both fiction and nonfiction works. The field of Rembrandt studies (study of Rembrandt's life and work, including works by his pupils and followers) — as an academic field in its own right with many notable Rembrandt connoisseurs and scholars — has been one of the most dynamic research areas of Netherlandish art (or art of the pre-1830 Low Countries) history.[3][5]

The following is a list of works about Rembrandt.

Non-fiction

Books, dissertations and theses

General

  • Adams, Ann Jensen: Public Faces and Private Identities in Seventeenth-Century Holland: Portraiture and the Production of Community. (Cambridge: Cambridge University Press, 2009, ISBN 978-0-521-44455-2)
  • Boschloo, Anton W. A.; et al. (eds.): Aemulatio: Imitation, Emulation and Invention in Netherlandish Art from 1500 to 1800: Essays in Honor of Eric Jan Sluijter. (Zwolle: Waanders, 2011)
  • Chambers, Emma: An Indolent and Blundering Art? The Etching Revival and the Redefinition of Etching in England, 1838–1892. (Aldershot: Ashgate, 1999)
  • Chu, Petra Ten-Doesschate: French Realism and the Dutch Masters: The Influence of Dutch Seventeenth-Century Painting on the Development of French Painting between 1830 and 1870. (Utrecht: Haentjens Dekker & Gumbert, 1974)
  • Corrigan, Karina H.; van Campen, Jan; Diercks, Femke; Blyberg, Janet C. (eds.): Asia in Amsterdam: The Culture of Luxury in the Golden Age. (Yale University Press, 2015, ISBN 9780300212877)
  • Cumming, Laura: A Face to the World: On Self-Portraits. (London: HarperPress, 2009, ISBN 9780007118434)
  • Dickey, Stephanie S.; Roodenburg, H. (eds.): The Passions in the Arts of the Early Modern Netherlands. (Zwolle: Waanders, 2010)
  • Falkenburg, R. L.; de Jong, J.; Roodenburg, H.; Scholten, F. (eds.): Beeld en zelfbeeld in de Nederlandse kunst, 1550–1750 / Image and Self-Image in Netherlandish Art, 1550–1750 [Nederlands kunsthistorisch jaarboek, vol. 46]. (Zwolle: Waanders, 1995)
  • Fleischer, Roland E.; Munshower, Susan Scott (eds.): The Age of Rembrandt: Studies in Seventeenth-Century Dutch Painting. (University Park, PA: University of Pennsylvania Press, 1988)
  • Franits, Wayne (ed.): Looking at Seventeenth-Century Dutch Art: Realism Reconsidered. (Cambridge: Cambridge University Press, 1997)
  • Franits, Wayne (ed.): The Ashgate Research Companion to Dutch Art of the Seventeenth Century. (Burlington, VT: Ashgate, 2016)
  • Freedberg, David; de Vries, Jan (eds.): Art in History, History in Art: Studies in Seventeenth-century Dutch Culture. (Santa Monica: Getty Center for the History of Art and the Humanities, 1991)
  • Grijzenhout, Frans; van Veen, Henk (eds.): The Golden Age of Dutch Painting in Historical Perspective. (Cambridge, U.K.: Cambridge University Press, 1999)
  • Hall, James: The Self-Portrait: A Cultural History. (London: Thames & Hudson, 2014)
  • Hammer-Tugendhat, Daniela: Das Sichtbare und das Unsichtbare. Zur holländischen Malerei des 17. Jahrhunderts. (Köln / Weimar / Wien: Böhlau, 2009, ISBN 978-3-412-20446-4) [in German]
  • Hammer-Tugendhat, Daniela: The Visible and the Invisible: on Seventeenth-century Dutch Painting. Translated from German by Margarethe Clausen. (Berlin: De Gruyter, 2015)
  • Helmers, Helmer J.; Janssen, Geert H. (eds.): The Cambridge Companion to the Dutch Golden Age [Cambridge Companions to Culture]. (Cambridge University Press, 2018, ISBN 978-1107172265)
  • Helsinger, Elizabeth; et al. (eds.): The "Writing" of Modern Life: The Etching Revival in France, Britain, and the U.S., 1850–1940. (Chicago: Smart Museum of Art, University of Chicago, 2008, ISBN 978-0-935573-45-9)
  • Hirschfelder, Dagmar: Tronie und Porträt in der niederländischen Malerei des 17. Jahrhunderts. (Berlin: Gebr. Mann Verlag, 2008, ISBN 978-3-7861-2567-9) [in German]
  • Hirschfelder, Dagmar; Krempel, León (eds.): Tronies. Das Gesicht in der Frühen Neuzeit. (Berlin: Gebr. Mann Verlag, 2014, ISBN 978-3-7861-2694-2) [in German]
  • Houbraken, Arnold: De Groote Schouburgh der Nederlantsche Konstschilders en Schilderessen, 3 vols. in 1. The Hague, 1753 (Reprint: Amsterdam, 1976) [in Dutch]
  • Montias, John Michael: Art at Auction in 17th Century Amsterdam. (Amsterdam: Amsterdam University Press, 2002)
  • Morgenstein, Susan W.; Levine, Ruth L.: The Jews in the Age of Rembrandt. (Rockville, MD: The Judaic Museum of the Jewish Community Center of Greater Washington, 1981)
  • Muller, Sheila D. (ed.): Dutch Art: An Encyclopedia. (New York: Garland Pub., 1997, ISBN 0-8153-0065-4)
  • Nevitt, Jr., H. Rodney: Art and the Culture of Love in Seventeenth-Century Holland [Studies in Netherlandish Visual Culture, 2]. (Cambridge/New York: Cambridge UP, 2002, ISBN 0-521-64329-5)
  • Pescio, Claudio: Rembrandt and Seventeenth-Century Holland. Translated by Simon Knight. (New York: Peter Bedrick Books, 1995)
  • Quodbach, Esmée (ed.): Holland's Golden Age in America: Celebrating the Art of Rembrandt, Vermeer, and Hals. (University Park, PA: Pennsylvania State University Press, 2014)
  • Riegl, Alois: The Group Portraiture of Holland. Introduction by Wolfgang Kemp, translated from the German by Evelyn M. Kain and David Britt. (Los Angeles, California: Getty Research Institute for the History of Art and the Humanities, 1999)
  • Rosales-Rodríguez, Agnieszka: Śladami dawnych mistrzów. Mit Holandii złotego wieku w dziewiętnastowiecznej kulturze artystycznej [In the footsteps of old masters. The myth of Golden-Age Holland of the in nineteenth-century artistic culture]. (Warszawa: Wydawnictwa Uniwersytetu Warszawskiego, 2008) [in Polish]
  • Rosales-Rodríguez, Agnieszka: In the Footsteps of the Old Masters: The Myth of Golden Age Holland in 19th Century Art and Art Criticism. Translated from the Polish by Klaudyna Michałowicz. (Peter Lang GmbH, 2016)
  • Silver, Larry: Rembrandt's Holland [Renaissance Lives]. (Reaktion Books, 2018, ISBN 978-1780238470)
  • Sitt, Martina; et al.: Pieter Lastman. In Rembrandts Schatten? [exh. cat.]. (Hamburg: Hamburger Kunsthalle; Munich: Hirmer Verlag, 2006, ISBN 978-3-7774-2985-4) [in German]
  • Sluijter, Eric Jan; et al.: Leidse fijnschilders: van Gerrit Dou tot Frans van Mieris de Jonge, 1630–1760. (Leiden: Stedelijk Museum De Lakenhal, 1988) [in Dutch]
  • Smith, John: A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish and French Painters [Volume VII, Rembrandt van Rhyn; Volume IX, Supplement]. (London, 1836–1842)
  • Spicer, Joaneath; et al. (eds.): Masters of Light: Dutch Painters in Utrecht during the Golden Age. (New Haven: Yale University Press, 1997)
  • Turner, Jane: Rembrandt to Vermeer: 17th-Century Dutch Artists [Grove Dictionary of Art]. (New York: St. Martin's Press, 2000)
  • Von Bode, Wilhelm: Studien zur Geschichte der holländischen Malerei [Studies in the history of Dutch painting]. (Brunswick: Friedrich Viewege, 1883) [in German]
  • Weisberg, Gabriel P.: The Etching Renaissance in France, 1850–1880 [exh. cat.]. (Salt Lake City: Utah Museum of Fine Arts, 1971)
  • Weststeijn, Thijs; van den Doel, Marieke; van Eck, Natasja; Korevaar, Gerbrand; Tummers, Anna (eds.): The Learned Eye: Regarding Art, Theory, and the Artist's Reputation. Essays for Ernst van de Wetering. (Amsterdam: Amsterdam University Press, 2005, ISBN 90-5356-713-5)
  • Weststeijn, Thijs; Jorink, Eric; Scholten, Frits (eds.): Netherlandish Art in its Global Context [Nederlands Kunsthistorisch Jaarboek / Netherlands Yearbook for History of Art, 66]. (Leiden: Brill, 2016, ISBN 978-90-04-33497-7)
  • Wheelock, Arthur K. Jr.; Baer, Ronni (eds.): Gerard Dou, 1613–1675: Master Painter in the Age of Rembrandt. (New Haven, CT: Yale University Press, 2002)
  • Yeazell, Ruth Bernard: Art of the Everyday: Dutch Painting and the Realist Novel. (Princeton, NJ: Princeton University Press, 2008, ISBN 978-0-691-12726-2)
  • Zumthor, Paul: La vie quotidienne en Hollande au temps de Rembrandt. (Paris: Hachette, 1959) [in French]
  • Zumthor, Paul: Daily Life in Rembrandt's Holland. Translated from the French by Simon Watson Taylor. (London: Weidenfeld and Nicolson, 1962)

Biography

  • Avermaete, Roger: Rembrandt et son temps. (Paris: Payot, 1952) [in French]
  • Baudiquey, Paul: La vie et l'œuvre de Rembrandt. (Paris: ACR-Vilo, 1984) [in French]
  • Bell, Malcolm: Rembrandt van Rijn and His Work. (London: G. Bell, 1899)
  • Blankert, Albert (ed.): Rembrandt: A Genius and His Impact. (Melbourne: National Gallery of Victoria, 1997)
  • Bockemühl, Michael: Rembrandt. (Köln: Taschen, 2001)
  • Boeck, Wilhelm: Rembrandt. (Stuttgart: W.Kohlhammer Verlag, 1962) [in German]
  • Bolten, J.; Bolten-Rempt, H.: The Hidden Rembrandt. Translated from the Dutch by Danielle Adkinson. (Chicago, IL: Rand McNally & Co., 1977)
  • Bonnier, Henry: L'univers de Rembrandt. (Paris: Henri Scrépel, 1969) [in French]
  • Bonnier, Henry: Rembrandt [Great Draughtsmen]. Translated from the French by Victoria Benedict. (New York: George Braziller; London: Pall Mall, 1970)
  • Brion, Marcel: Rembrandt. (Albin Michel, 1946) [in French]
  • Brons, Ingrid S.; Postma, Annemarie (eds.): Rembrandt in Leiden. Portret van een schildersjongen en zijn stad [Rembrandt in Leiden. A young painter and his city]. ('s-Hertogenbosch: Uitgeverij Heinen, 2006, ISBN 90-77721-73-8) [in Dutch]
  • Bréal, Auguste: Rembrandt: A Critical Essay. (London: Duckworth, 1902)
  • Brown, Gerard Baldwin: Rembrandt: A Study of His Life and Work. (London, 1907)
  • Büttner, Nils: Rembrandt, Licht und Schatten. Eine Biographie. (Stuttgart: Reclam, 2014, ISBN 978-3-15-010965-6) [in German]
  • Cabanne, Pierre: Rembrandt [Profils de l'art]. (Paris: Chêne, 1991) [in French]
  • Descargues, Pierre: Rembrandt. (Paris: J.-C. Lattès, 1990) [in French]
  • Focillon, Henri: Rembrandt [Editions d'Histoire et d'art]. (Paris: Librairie Plon, 1936) [in French]
  • Focillon, Henri: Rembrandt: Paintings, Drawings and Etchings. Translated from the French by Ludwig Goldscheider. (New York: Phaidon, 1960)
  • Fowkes, Charles: The Life of Rembrandt. (London: The Hamlyn Publishing Group, 1978)
  • Haak, Bob: Rembrandt, zijn leven, zijn werk, zijn tijd. (Amsterdam, 1968) [in Dutch]
  • Haak, Bob: Rembrandt: His Life, His Work, His Times. Translated from the Dutch by Elizabeth Willems-Treeman. (New York: Harry N. Abrams, 1969)
  • Hamann, Richard: Rembrandt. (Berlin, 1948)
  • Hunt, Patrick: Rembrandt: His Life in Art [2nd ed.]. (New York: Ariel Books, 2007)
  • Kitson, Michael: Rembrandt, 3rd ed. (Oxford: Phaidon, 1982)
  • Knuttel, Gerhardus: Rembrandt, de meester en zijn werk. (Amsterdam: Ploegsma, 1956) [in Dutch]
  • Laneyrie-Dagen, Nadeije: Lire la peinture de Rembrandt. (Paris: Larousse, 2006) [in French]
  • Mee, Charles L.: Rembrandt's Portrait: A Biography. (New York: Simon & Schuster, 1990)
  • Michel, Émile: Rembrandt. Sa vie, son œuvre et son temps. (Paris: Hachette, 1893) [in French]
  • Michel, Émile: Rembrandt, His Life, His Work, and His Time, 2 vols. Translated from the French by Florence Simmonds. (London: Heinemann, 1894)
  • Muller, Joseph-Emile: Rembrandt. (Paris: Aimery Somogy; London: Thames & Hudson, 1968)
  • Neumann, Carl: Rembrandt. (Berlin: Spemann, 1902) [in German]
  • Neumann, Carl: Rembrandt [2nd ed.]. (Berlin, 1905) [in German]
  • Neumann, Carl: Rembrandt [3rd ed., 2 vols.]. (Munich, 1922) [in German]
  • Ormiston, Rosalind: Rembrandt: His Life & Works in 500 Images. (Lorenz Books, 2012)
  • Partsch, Susanna: Rembrandt. (London: Weidenfeld and Nicolson, 1991)
  • Pächt, Otto: Rembrandt. (Munich: Prestel Verlag, 1991) [in German]
  • Roger-Marx, Claude: Rembrandt. (Paris: Pierre Tisné Éditeur, 1960) [in French]
  • Roger-Marx, Claude: Rembrandt. Translated W.J. Strachan and Peter Simmons. (New York: Universe Books, 1960)
  • Schmidt-Degener, F.: Rembrandt. Een beschrijving van zijn leven en zijn werk. (Amsterdam, 1906) [in Dutch]
  • Schwartz, Gary: De Grote Rembrandt. (Zwolle: Waanders, 2006) [in Dutch]
  • Schwartz, Gary: The Rembrandt Book. (New York: Harry N. Abrams, 2006)
  • Schwartz, Gary: Rembrandt's Universe: His Art, His Life, His World. (London: Thames & Hudson, 2006)
  • Schwartz, Gary: Meet Rembrandt: Life and Work of the Master Painter. (New Haven, CT: Yale University Press, 2010)
  • Tümpel, Christian: Rembrandt. Translated by Jacques and Jean Duvernet, Léon Karlson and Patrick Grilli. (Paris: Albin Michel, 1986)
  • Tümpel, Christian: Rembrandt [Rowohlts Monographien]. (Reinbek bei Hamburg: Rowohlt Taschenbuch Verlag, 2006) [in German]
  • Van Loon, Hendrik Willem: The Life and Times of Rembrandt van Rijn. (Garden City, 1930; Liveright, 1943)
  • Verhaeren, Émile: Rembrandt, biographie critique. (Paris: H. Laurens, 1905) [in French]
  • Veth, Jan: Rembrandts leven en kunst. (Amsterdam: H. J. W. Becht, 1941) [in Dutch]
  • Von Sandrart, Joachim; Baldinucci, Filippo; Houbraken, Arnold: Lives of Rembrandt [Lives of the Artists]. Introduced by Charles Ford. (J. Paul Getty Museum, 2018, ISBN 978-1606065624)
  • Vosmaer, Carel: Rembrandt Hannensz van Ryn, sa vie et ses oeuvres. (The Hague, 1868) [in French]
  • Weisbach, Werner: Rembrandt. (Berlin: Walter de Gruyter, 1926) [in German]
  • Westermann, Mariët: Rembrandt. (London: Phaidon, 2000)
  • White, Christopher: Rembrandt and His World. (London: Thames and Hudson, 1964)
  • White, Christopher: Rembrandt. (New York: Thames & Hudson, 1984)
  • Wright, Christopher: Rembrandt and His Art. (London/New York, 1975)
  • Wright, Christopher: Rembrandt. [Trad. de l'anglais par Paul Alexandre]. (Paris: Citadelles & Mazenod, 2000) [in French]

Exhibition catalogue

  • Aartomaa, Ulla; et al. (eds.): Rembrandt: Master of the Copper Plate. (Helsinki: Sinebrychoff Art Museum, 2012)
  • Abbing, Michiel Roscam: The Treasures of Rembrandt. (London: Carlton Publishing Group, 2006)
  • Adhémar, Jean; et al. (eds.): Rembrandt, graveur: 350e anniversaire de sa naissance. (Paris: Bibliothèque Nationale, Galerie Mansart, 1956) [in French]
  • Alexander-Knotter, Mirjam; Hillegers, Jasper; van Voolen, Edward: The ‘Jewish’ Rembrandt. The Myth Unravelled. [Cat. exh. Joods Historisch Museum, Amsterdam, November 10, 2006 – February 4, 2007]. (Zwolle: Waanders; Amsterdam: Jewish Historical Museum, 2006, ISBN 978-90-400-8467-6)
  • Bacou, Roseline: Rembrandt et son temps. Dessins des collections publiques et privées conservées en France [cat. exp.]. (Paris: Musée du Louvre, Éditions de la Réunion des musées nationaux, 1970) [in French]
  • Baer, Ronni: Class Distinctions: Dutch Painting in the Age of Rembrandt and Vermeer. With essays by Henk van Nierop, Herman Roodenburg, Eric Jan Sluijter, Marieke de Winkel, and Sanny de Zoete. Translated by Diane Webb. (Boston: Museum of Fine Arts, 2015, ISBN 978-0-87846-830-0)
  • Bahre, Kristinu; et al. (eds.): Rembrandt. Genie auf der Suche. (Köln: DuMont Literatur und Kunst, 2006, ISBN 3-8321-7694-2) [in German]
  • Bevers, Holm: Rembrandt: Die Zeichnungen im Berliner Kupferstichkabinett [Kritischer Katalog]. (Ostfildern: Staatliche Museen zu Berlin, 2006) [in German]
  • Bevers, Holm; Kettner, Jasper; Metze, Gudula (eds.): Rembrandt. Ein Virtuose der Druckgraphik. (Kupferstichkabinett, Staatliche Museen zu Berlin, 2006) [in German]
  • Bevers, Holm; Rumberg, Per: Rembrandt's First Masterpiece [exh. cat.]. (New York: Morgan Library and Museum, 2016)
  • Bialostocki, Jan; et al.: Jan Lievens. Ein Maler im Schatten Rembrandts. (Braunschweig: Herzog Anton Ulrich Museum, 1979) [in German]
  • Bikker, Jonathan; Weber, Gregor J. M.; et al.: Rembrandt: The Late Works [National Gallery London]. (London: The National Gallery, 2014, ISBN 978-1857095579)
  • Bisanz-Prakken, Marian: Drawings from the Albertina: Landscape in the Age of Rembrandt. (Alexandria, VA: Art Services International, 1995)
  • Bisanz-Prakken, Marian: Rembrandt and his Time: Masterworks from the Albertina, Vienna [Cat. exh. Milwaukee Art Museum, October 8, 2005 – January 8, 2006]. (New York: Hudson Hills Press, 2005)
  • Black, Peter; Hermens, Erma: Rembrandt and the Passion. (Munich: Prestel, 2012)
  • Blanc, Jan; et al.: Rembrandt et son entourage. (Paris: Éditions de l’École nationale supérieure des Beaux-arts, 2012) [in French]
  • Blankert, Albert (ed.): Gods, Saints and Heroes: Dutch Painting in the Age of Rembrandt [exh.cat.]. (Washington: National Gallery of Art, 1980)
  • Bomford, D.; Brown, C.; Roy, A.: Art in the Making: Rembrandt. (London: National Gallery, 1988)
  • Broos, B.P.J.: Oude tekeningen in het bezit van de Gemeentemusea van Amsterdam waaronder de collectie Fodor [Deel 3]: Rembrandt en tekenaars uit zijn omgeving. (Amsterdam: Amsterdams Historisch Museum, 1981) [in Dutch]
  • Broos, B.P.J.: Rembrandt en zijn voorbeelden [Rembrandt and his sources]. (Amsterdam: Museum Het Rembrandthuis, 1985) [in Dutch]
  • Bull, Duncan; Dibbits, Taco; et al.: Rembrandt – Caravaggio [exh. cat.]. (Amsterdam: Rijksmuseum, 2006)
  • Cavalli-Björkman, Görel (ed.): Rembrandt och hans tid. Människan i centrum. En utställning ingående i Nationalmuseums 200-årsjubileum. (Stockholm: Nationalmuseum, 1992) [in Swedish]
  • Clark, Kenneth; Ilchman, Frederick; Rosand, David: Rembrandt and the Venetian Influence. (New York: Salander-O'Reilly Galleries, 2000)
  • Cooper, Tarnya; Bolland, Charlotte: The Encounter: Drawings from Leonardo to Rembrandt. (London: National Portrait Gallery, 2017)
  • Czobor, Ágnes: Rembrandt und sein Kreis. (Budapest: Corvina Verlag, 1969) [in German]
  • De Jongh, Eddy; Mireille, Cornelis; van Sloten, Leonore (eds.): In de ban van Hercules Segers: Rembrandt en de Modernen / Under the Spell of Hercules Segers: Rembrandt and the Moderns [exh. cat.]. (Zwolle: W Books; Amsterdam: Hercules Segers Stichting/Hercules Segers Foundation, 2016)
  • De Viejo, Isadora Rose: Goya/Rembrandt: la mémoire de l'oeil [exposition au]. Cabinet des estampes du Musée d'art et d'histoire, Genève, 18 mai-12 septembre, 1993. (Genève: Musée d’Art et d'Histoire, 1993) [in French]
  • De Viejo, Isadora Rose: Rembrandt en la memoria de Goya y Picasso, Obra gráfica. (Madrid: Fundación Carlos de Amberes / Fundación Bancaja / Ibercaja, 1999–2000) [in Spanish]
  • De Viejo, Isadora Rose; Cohen, Janie: Etched on the Memory: The Presence of Rembrandt in the Prints of Goya and Picasso. (Blaricum: V KPub./Inmerc, 2000)
  • De Viejo, Isadora Rose; Di Martino, Enzo: Rembrandt, ispirazioni per Goya [Rembrandt, an inspiration for Goya]. (Milano: Gabriele Mazzotta, 2001) [in Italian]
  • De Witt, David; Noorman, Judith (eds.): Rembrandt's Naked Truth: Drawing Nude Models in the Golden Age [exh. cat., Rembrandt House Museum, Amsterdam]. (Zwolle, 2016)
  • DeWitt, Lloyd; et al. (eds.): Rembrandt and the Face of Jesus. With a preface by Seymour Slive and contributions by Lloyd DeWitt, Blaise Ducos, Franziska Gottwald, George S. Keyes, Shelley Perlove, Larry Silver, Ken Sutherland and Mark Tucker. [Cat. exh.: Musée du Louvre, Paris, April 21 – July 18, 2011; Philadelphia Museum of Art, August 3 – October 30, 2011; Detroit Institute of Arts, November 20, 2011 – February 12, 2012.]. (Philadelphia: Philadelphia Museum of Art, 2011, ISBN 978-0-87633-227-6)
  • Dickey, Stephanie: Dutch Painting in the Age of Rembrandt from the Metropolitan Museum of Art. Introduction by Susan D. Kuretsky [Exhibition catalogue]. (Hamilton, N.Y.: Picker Art Gallery, Colgate University, 1983)
  • Diederen, Roger; Lange, Christiane (eds.): Das ewige Auge. Von Rembrandt bis Picasso. Meisterwerke der Sammlung Jan Krugier und Marie-Anne Krugier-Poniatowski [Ausstellungskatalog]. (München: Hirmer, 2007, ISBN 978-3-7774-3695-1) [in German]
  • Dittrich, Christian; Ketelsen, Thomas; et al. (eds.): Rembrandt: Die Dresdener Zeichnungen [Cat. exh. Kupferstich-Kabinett, Dresden, August 7 – October 3, 2004; Institut Néerlandais, Paris, March 30 – May 21, 2006]. (Cologne: Verlag der Buchhandlung Walther König, 2004) [in German]
  • Döring, Thomas; Bungarten, Gisela; Page, Christiane: Aus Rembrandts Kreis. Die Zeichnungen des Braunschweiger Kupferstichkabinetts [From Rembrandt's Circle: Drawings from the Brunswick-Printroom]. (Petersberg: Michael Imhof Verlag, 2006) [in German]
  • Ducos, Blaise; Surh, Dominique (eds.): Masterpieces of The Leiden Collection: The Age of Rembrandt [exh. cat.]. (Paris: Musée du Louvre, 2017)
  • Dumas, Charles; Endedijk, Leo: Meesters en molens. Van Rembrandt tot Mondriaan. (Zwolle: Waanders, 2007, ISBN 9789040082917) [in Dutch]
  • Duparc, Frederik J.: Landscape in Perspective: Drawings by Rembrandt and His Contemporaries. (Cambridge, Mass.: Arthur M. Sackler Museum, 1988)
  • Eissenhauer, Michael (ed.): Rembrandt-Bilder. Die historische Sammlung der Kasseler Gemäldegalerie. (München: Hirmer, 2006, ISBN 978-3-7774-2995-3)
  • Foucart, Jacques; Lacambre, Jean; et al. (eds.): Le Siècle de Rembrandt: Tableaux hollandais des collections publiques françaises [exposition]. (Paris: Musée du Petit Palais, 1970)
  • Ganz, James A.: Rembrandt's Century. (Prestel, 2013, ISBN 978-3791352244)
  • Garton, Robin; Grimm, Gerard Volker; van der Grinten, Gerhard: Rembrandt und die englischen Malerradierer des 19. Jahrhunderts [Rembrandt and the English Painter-Etchers of the 19th Century]. (Bedburg-Hau: Stiftung Museum Schloss Moyland, 2005) [in German]
  • Gilles, Matthieu; et al.: Rembrandt et les peintres-graveurs italiens de Castiglione à Tiepolo. (Épinal: Musée Départemental d'Art Ancient et Contemporain, 2003) [in French]
  • Giltaij, Jeroen: The Drawings by Rembrandt and His School in the Museum Boymans-van Beuningen. (Rotterdam: Museum Boymans-van Beuningen, 1988)
  • Hall, James; Vaisse, Pierre; Ullrich, Wolfgang; et al. (eds.): Facing the World: Self-portraits from Rembrandt to Ai Weiwei. (Edinburgh: Scottish National Galleries; Köln: Snoeck, 2016)
  • Hautekeete, Stefaan; et al. (eds.): Tekeningen van Rembrandt en zijn leerlingen in de verzameling van Jean de Grez. (Brussels: Koninkijke Musea voor Schone Kunsten, 2005) [in Dutch]
  • Haverkamp-Begemann, Egbert; Judson, J. Richard; Logan, Anne-Marie: Rembrandt after Three Hundred Years: An Exhibition of Rembrandt and His Followers. (Chicago: Art Institute of Chicago, 1969)
  • Hess, Daniel: In Rembrandts Werkstatt: der Meister in Original, Kopie und Studie [In Rembrandt's studio: the master in the original, copy and study]. (Nürnberg: Germanisches Nationalmuseum, 2001, ISBN 3-926982-74-8) [in German]
  • Hoetink, H.R.; et al.: Rembrandt en zijn tijd [exhib. cat.]. (Brussels: Palais des Beaux Arts, 1971) [in Dutch]
  • Kann, Anne-Röver: In Rembrandts Manier: Kopie, Nachahmung und Aneignung in den graphischen Künsten des 18. Jahrhunderts, Ausst.-Kat. (Bremen: Kunsthalle Bremen, 1986) [in German]
  • Kloek, Wouter; Jansen, Guido: Rembrandt in a New Light: Presentation of Seven Restored Paintings by Rembrandt. (Amsterdam: Rijksmuseum, 1993)
  • Kofuku, Akira; et al. (eds.): Rembrandt: The Quest for Chiaroscuro. (Tokyo: Nippon Television Network Corporation, 2011, ISBN 9784906536580)
  • Leca, Benedict; et al.: Rembrandt: Three Faces of the Master. (Cincinnati: Cincinnati Art Museum, 2008)
  • Lecoq-Ramond, Sylvie; Paccoud, Stéphane; Schäfer, Dorit (eds.): Autoportraits: de Rembrandt au selfie [Projet réalisé en collaboration par la Staatliche Kunsthalle Karlsruhe, le Musée des Beaux-Arts de Lyon et les National Galleries of Scotland d'Èdimbourg]. (Cologne: Snoeck, 2015) [in French]
  • Lecoq-Ramond, Sylvie; Paccoud, Stéphane; Schäfer, Dorit; Müller-Tamm, Pia; Clarke, Michael; Hall, James; et al. (eds.): Ich bin hier! Von Rembrandt zum Selfie [Kat. Staatliche Kunsthalle Karlsruhe, 2015–2016]. (Köln: Snoeck, 2015) [in German]
  • Liedtke, Walter; von Sonnenburg, Hubert; Logan, Carolyn; Orenstein, Nadine M.; Dickey, Stephanie S.: Rembrandt/Not Rembrandt in the Metropolitan Museum of Art: Aspects of Connoisseurship, 2 vols. (New York: Metropolitan Museum of Art, 1995)
  • Middelkoop, Norbert; et al.: Rembrandt under the Scalpel: The Anatomy Lesson of Dr. Nicolaes Tulp Dissected [exh. cat.]. (Den Haag: Mauritshuis, 1998)
  • Minder, Nicole (ed.): Gravures de Dürer et Rembrandt: Collection Pierre Decker. (Vevey : Cabinet cantonal des estampes, Musée Jenisch, 1991)
  • Minder, Nicole; et al. (eds.): Rembrandt: Les collections du Cabinet des estampes de Vevey. (Musée Jenisch Vevey, Cabinet cantonal des estampes, Fonds Pierre Decker, 1997)
  • Müller, Jürgen; Mentzel, Jan-David; et al.: Rembrandt: von der Macht und Ohnmacht des Leibes: 100 Radierungen [Katalog zur Ausstellung des Augustinermuseums: Haus der Graphischen Sammlung, Augustinermuseum, Freiburg i. Br., 28. Oktober 2017 - 28. Januar 2018; Kunstsammlungen der Veste Coburg, 21. Juni 2018 - 9. September 2018]. (Freiburg: Städtische Museen Freiburg; Petersberg: Michael Imhof Verlag, 2017) [in German]
  • Paarlberg, Sander; Schoon, Peter; et al.: Greek Gods and Heroes in the Age of Rubens and Rembrandt. (Athens: National Gallery/Alexandros Soutzos Museum; Dordrecht: Dordrechts Museum, 2000)
  • Schulze, Sabine (ed.). Leselust: Niederländische Malerei von Rembrandt bis Vermeer. (Stuttgart: Gerd Hatje, für die Schirn Kunsthalle Frankfurt, 1993) [in German]
  • Schwartz, Gary (ed.): Sordid and Sacred: The Beggars in Rembrandt's Etchings. Selections from the John Villarino Collection [exh. cat.]. (Los Angeles: Landau Traveling Exhibitions, 2006)
  • Seifert, Christian Tico; Dickey, Stephanie S.; et al.: Rembrandt: Britain's Discovery of the Master. (Scotland: National Galleries of Scotland, 2018, ISBN 9781911054191)
  • Sigal-Klagsbald, Laurence; du Bourg, Alexis Merle: Rembrandt et la Nouvelle Jérusalem. Juifs et Chrétiens à Amsterdam au Siècle D'Or. [Cat. exh. Musée d’Art et d’Histoire du Judaïsme, Paris, March 28 – July 1, 2007]. (Paris: Éditions du Panama, 2007, ISBN 978-2-7557-0243-9) [in French]
  • Stampfle, Felice; et al. (eds.): Rembrandt: Experimental Etcher [exh. cat.]. (Boston: Museum of Fine Arts; New York: The Pierpont Morgan Library, 1969)
  • Starcky, Emmanuel: Rembrandt et son école, dessins du Musée du Louvre. (Paris: Musée du Louvre, 1988–89) [in French]
  • Starcky, Emmanuel: Rembrandt et son école. Collections du musée de l'Ermitage de Saint- Pétersbourg [exh. cat.]. (Paris : Réunion des Musées Nationaux, 2003) [in French]
  • The Bridgestone Painting Research Group: In Darkness and Light, A Rembrandt in Tokyo Reconsidered. (Tokyo: Bridgestone Museum of Art, Ishibashi Foundation, 1989)
  • Tümpel, Christian; Tümpel, Astrid: The Pre-Rembrandtists [exh. cat.]. (Sacramento, CA: E. B. Crocker Art Gallery, 1974)
  • Tümpel, Astrid; Schatborn, Peter; et al.: Pieter Lastman, Leermeester van Rembrandt / Pieter Lastman, The Man Who Taught Rembrandt. (Amsterdam: Museum Het Rembrandthuis, 1991)
  • Van Berge-Gerbaud, Mària: Rembrandt et son école. Dessins de la collection Frits Lugt. (Paris: Fondation Custodia, 1997) [in French]
  • Van den Boogert, B.; et al. (eds.): Rembrandts schatkamer. (Amsterdam: Museum Het Rembrandthuis, 1999) [in Dutch]
  • Vignau-Wilberg, Thea: Rembrandt auf Papier. Werk und Wirkung [Rembrandt and his Followers. Drawings from Munich]. Mit einem Beitrag von Peter Schatborn. Katalog zur Ausstellung der Staatlichen Graphischen Sammlung München; München Alte Pinakothek, 5 December 2001 – 10 February 2002; Amsterdam Museum het Rembrandt. (München: Hirmer, 2001, ISBN 978-3-7774-9150-9) [in German]
  • Waiboer, Adriaan E.: Northern Nocturnes: Nightscapes in the Age of Rembrandt. With an essay by Michiel Franken. [cat. exh.]. (Dublin: National Gallery of Ireland, 2005, ISBN 1-904288-13-8)
  • Weber, Gregor J.M.: Rembrandt im Kontrast. Die Blendung Simsons und Der Segen Jakobs. (München: Hirmer; Kassel: Staatliche Museen Kassel, 2005) [in German]
  • Weller, Dennis P.; Keyes, George S.; Rassieur, Tom; Seydl, Jon L.: Rembrandt in America: Collecting and Connoisseurship. (New York, NY : Skira Rizzoli Publications, 2011, ISBN 978-0847836857)
  • Wheelock, Arthur K. Jr.; et al.: Rembrandt's Late Religious Portraits. (Washington, DC: National Gallery of Art; Chicago: University of Chicago Press, 2005)
  • Wheelock, Arthur K. Jr.: Jan Lievens: A Dutch Master Rediscovered [exhib. cat.]. (NewHaven, CT: Yale University Press, 2008, ISBN 978-0-300-14213-6)
  • Wheelock, Arthur K. Jr.; Luijten, Ger; Schatborn, Peter: Drawings for Paintings in the Age of Rembrandt. (Washington: National Gallery of Art; Paris: Fondation Custodia, 2016)
  • Williams, Julia Lloyd: Rembrandt. Artemisa y Mujer en el lecho. (Madrid: Museo Nacional del Prado, 2002, ISBN 84-8480-025-3) [in Spanish]
  • Woollett, Anne T.: Rembrandt in Southern California. (Los Angeles: J. Paul Getty Museum, 2009)

Others

  • Abbing, Michiel Roscam: Rembrant toont sijn konst. Bijdragen over Rembrandt-documenten uit de periode 1648–1756. (Leiden: Primavera Pers, 1999) [in Dutch]
  • Abbing, Michiel Roscam (ed.): Rembrandt 2006: Essays. (Leiden: Foleor Publishers, 2006)
  • Abbing, Michiel Roscam: Rembrandt's Elephant: The Story of Hansken. (Amsterdam: Leporello Uitgevers, 2006, ISBN 978-90-808745-6-5)
  • Ackley, Clifford S.; Baer, Ronni; Rassieur, Thomas E.: Rembrandt's Journey: Painter, Draftsman, Etcher. (Boston: Museum of Fine Arts, 2003)
  • Adams, Ann Jensen (ed.): Rembrandt's Bathsheba Reading King David's Letter. (New York: Cambridge University Press, 1998)
  • Ainsworth, M.W.; et al.: Art and Autoradiography: Insights into the Genesis of Paintings by Rembrandt, Van Dyck, and Vermeer. (New York: The Metropolitan Museum of Art, 1987)
  • Alarcón, Diego: Rembrandt: Retrato de un pintor de Leyden. (Editora Regional de Murcia, 2005) [in Spanish]
  • Alexander-Knotter, Mirjam; Hillegars, Jasper; van Voolen, Edward: De 'joodse' Rembrandt. De mythe ontrafeld. (Zwolle: Waanders, 2007) [in Dutch]
  • Albers, Eckbert: Erkenntnismomente und Erkenntnisprozesse bei Rembrandt [Studien zur Kunstgeschichte, 174]. (Hildesheim: Georg Olms Verlag, 2008, ISBN 978-3-487-13831-2) [in German]
  • Alpers, Svetlana: Rembrandt's Enterprise: The Studio and the Market. (Chicago: University of Chicago Press, 1988, ISBN 978-0-226-01518-7)
  • Amore, Anthony; Mashberg, Tom: Stealing Rembrandts: The Untold Stories of Notorious art heists. (New York: Palgrave Macmillan, 2012, ISBN 9780230108530)
  • Aronson, Alex: Shakespeare and Rembrandt: Metaphorical Representations in Poetry and the Visual Arts. (Essen: Verlag Die Blaue Eule, 1987)
  • Arpino, Giovanni; Lecaldano, Paolo: L'opera pittorica completa di Rembrandt [Classici dell'Arte, 33]. (Milan: Rizzoli, 1969) [in Italian]
  • Atwood, Nan T.: Rembrandt van Rijn's Jewish Bride Depicting Female Power in the Dutch Republic Through the Notion of Nation Building. (M.A. thesis, Brigham Young University, 2012)
  • Bailey, Anthony: Rembrandt's House: Exploring the World of the Great Master. (Boston: Houghton Mifflin, 1978)
  • Bailey, Anthony: Responses to Rembrandt: Who Painted the Polish Rider?, a Controversy Considered. (New York: Timken Publishers, 1994)
  • Bakker, Boudewijn; et al.: Landscapes of Rembrandt: His Favourite Walks. (Amsterdam: Gemeentearchie, 1988)
  • Bakker, Boudewijn: Landschap en Wereldbeeld: Van Van Eyck tot Rembrandt. (Bussum: Uitgeverij Thoth, 2004) [in Dutch]
  • Bakker, Boudewijn: Landscape and Religion: From Van Eyck to Rembrandt. Translated from the Dutch by Diane Webb. (Burlington, VT: Ashgate, 2012)
  • Balet, Leo: Rembrandt and Spinoza. (New York: Philosophical Library, 1962)
  • Barker, Mary Christine: A Disquieting Presence: The Virgin Mary in Rembrandt’s 'Protestant' Art. (Ph.D. diss., The University of Auckland, 2010)
  • Bartsch, Adam von: Catalogue raisonné de toutes les estampes qui forment l'œuvre de Rembrandt et ceux de ses principaux imitateurs [2 vols.]. (Vienna, 1797) [in French]
  • Bauch, Kurt: Die Kunst des Jungen Rembrandt. (Heidelberg: Winter, 1933) [in German]
  • Bauch, Kurt: Die frühe Rembrandt und seine Zeit. (Berlin: Verlag Gebr. Mann, 1960) [in German]
  • Bauch, Kurt: Rembrandt Gemälde. (Berlin: W. de Gruyter, 1966) [in German]
  • Baudiquey, Paul: Un Évangile selon Rembrandt. (Paris: Éditions Mame, 1989) [in French]
  • Baudiquey, Paul: Rembrandt, le retour du Prodigue. (Paris: Éditions Mame, 1995) [in French]
  • Baudiquey, Paul: Rembrandt, L'évangile intérieur. (Paris: Éditions Mame, 2014) [in French]
  • Bal, Mieke: Het Rembrandt effect: Visies op kijken. (Utrecht: HES Uitgevers, 1987) [in Dutch]
  • Bal, Mieke: Verf en verderf. Lezen in Rembrandt. (Amsterdam: Prometheus, 1990, ISBN 9053330089) [in Dutch]
  • Bal, Mieke: Reading Rembrandt: Beyond the Word-Image Opposition. (Amsterdam: Amsterdam University Press, 1991)
  • Becker, Willy: Rembrandt als Dichter. Eine Untersuchung über das Poetische in den biblischen Darstellungen Rembrandts. (Leipzig: Klinkhardt & Biermann, 1909) [in German]
  • Beliën, Herman; Knevel, Paul: Langs Rembrandts roem. De reputatie van een meester. (Amsterdam: Salomé, 2006, ISBN 9053568360) [in Dutch]
  • Benesch, Otto: Rembrandt: Werk und Forschung. (Vienna, 1935) [in German]
  • Benesch, Otto: The Drawings of Rembrandt: First Complete Edition in Six Volumes. (London: Phaidon, 1954–57)
  • Benesch, Otto: Rembrandt as a Draughtsman: An Essay with 115 Illustrations. (London: Phaidon Press, 1960)
  • Benesch, Otto: The Drawings of Rembrandt. A Critical and Chronological Catalogue [2nd ed., 6 vols.]. (London: Phaidon, 1973)
  • Berger, Jr., Harry: Fictions of the Pose: Rembrandt Against the Italian Renaissance. (Stanford, California: Stanford University Press, 2000, ISBN 978-0804733243)
  • Berger, Jr., Harry: Manhood, Marriage, and Mischief: Rembrandt's "Night Watch" and Other Dutch Group Portraits. (New York: Fordham University Press, 2007, ISBN 978-0-8232-2557-6)
  • Berger, Jr., Harry: The Perils of Uglytown: Studies in Structural Misanthropology from Plato to Rembrandt. (New York: Fordham University Press, 2015)
  • Berrong, Richard M.: Putting Monet and Rembrandt into Words: Pierre Loti's Recreation and Theorization of Claude Monet's Impressionism and Rembrandt's Landscapes in Literature. (Chapel Hill, NC: University of North Carolina Press, 2014, ISBN 978-1-4696-1365-9)
  • Bevers, Holm; et al.: Drawings by Rembrandt and His Pupils: Telling the Difference. (Los Angeles: The J. Paul Getty Museum, 2009)
  • Bevers, Holm; Kelch, Jan; Lindemann, Bernd Wolfgang; Seifert, Christian Tico (eds.): Rembrandt – Wissenschaft auf der Suche. Beiträge des Internationalen Symposiums Berlin, 4.-5. November 2006 [Jahrbuch der Berliner Museen. Neue Folge. Vol. 51, Beiheft]. (Berlin: Gebr. Mann Verlag, 2009, ISBN 978-3-7861-2563-1) [in German]
  • Bikker, Jonathan: Willem Drost (1633–1659): A Rembrandt Pupil in Amsterdam and Venice. (New Haven: Yale University Press, 2005)
  • Biörklund, George; Barnard, Osbert H.: Rembrandt's Etchings: True and False [revised edition]. (Stockholm, 1968)
  • Binstock, Benjamin: Becoming Rembrandt: National, Religious, and Sexual Identity in Rembrandt's History Paintings. (Ph.D. diss., Columbia University, 1997)
  • Blanc, Charles: L'Œuvre de Rembrandt, reproduit en planches photographiques. (Paris: Gide et J. Bandry, 1853) [in French]
  • Blanc, Charles: L'œuvre complet de Rembrandt: Catalogue raisonné de toutes les eaux-fortes du maître et de ses peintures... orné de bois gravés et de quarante eaux-fortes tirées à part et rapportées dans le texte. (Paris: Gide, 1859–1861) [in French]
  • Blaazer, Ferry: Het naakte lichaam in de etsen van Rembrandt. (Deventer: Scriptio, 2009, ISBN 9789087730154) [in Dutch]
  • Blanc, Jan: Dans l'atelier de Rembrandt: Le maître et ses élèves. (Éditions de La Martinière, 2006, ISBN 9782732434315) [in French]
  • Bockemühl, Michael: Rembrandt: Zum Wandel des Bildes und seiner Anschauung im Spätwerk. (Mittenwald: Mäander Verlag, 1981) [in German]
  • Bockemühl, Michael: Rembrandt, 1606–1669. Das Rätsel der Erscheinung. (Köln: Benedikt Taschen Verlag, 1991) [in German]
  • Bockemühl, Michael: Rembrandt, 1606–1669: The Mystery of the Revealed Form. Translated from the German by Michael Claridge. (Köln: Taschen, 2004)
  • Bodenbach, Hans Joachim: Rembrandt - Selbstporträts von fremder Hand. (Dresden: Verlag der Kunst, 2003) [in German]
  • Bohlmann, Carolin; Fink, Thomas; Weiss, Philipp (eds.): Lichtgefüge des 17. Jahrhunderts. Rembrandt und VermeerSpinoza und Leibniz. (München: Wilhelm Fink 2008, ISBN 978-3-7705-4454-7) [in German]
  • Boka, Georges; Courteau, Bernard: Rembrandt's Nightwatch: The Mystery Revealed. (Quebec, Canada: C.C.E.P., 1994, ISBN 2-920217-41-0)
  • Bonafoux, Pascal: Rembrandt: Self-Portrait. (New York: Rizzoli, 1985)
  • Bonafoux, Pascal: Rembrandt, le clair, l'obscur, collection "Découvertes Gallimard" (nº 76). (Paris: Gallimard, 1990) [in French]
  • Bonafoux, Pascal: Rembrandt: Master of the Portrait, "Abrams Discoveries" series. (New York: Harry N. Abrams, 1992)
  • Bonafoux, Pascal: Rembrandt: Substance and Shadow, 'New Horizons' series. (London: Thames and Hudson, 1992)
  • Boomgaard, Jeroen: De verloren zoon. Rembrandt en de Nederlandse kunstgeschiedschrijving. (Amsterdam: Babylon-De Geus, 1995) [in Dutch]
  • Boon, K.G.: Rembrandt: The Complete Etchings. (New York: Harry N. Abrams, 1963)
  • Borenius, Tancred: Rembrandt: Selected Paintings. (London: Phaidon Press, 1942)
  • Bosman, Machiel: Rembrandts val. Een geschiedenis van misvattingen en alternatieve feiten. (Amsterdam: Athenaeum, 2019, ISBN 9789025309558) [in Dutch]
  • Bracken, William Worth: Rembrandt in the 1630's: Dialogues and Competitive Environment. (Ph.D. thesis, Institute of Fine Arts, New York University, 2011)
  • Bredius, Abraham: The Paintings of Rembrandt. (London: Phaidon, 1937)
  • Bredius, Abraham: Rembrandt: The Complete Edition of the Paintings, 3rd ed. [Revised by Horst Gerson]. (London: Phaidon Press, 1969)
  • Bredt, E. W.: Rembrandt-Bibel: Vier Bände mit 270 Abbildungen. (München: Hugo Schmidt Verlag, 1921) [in German]
  • Bredt, E. W.: Die Rembrandt-Bibel: Altes und Neues Testament: Mit 246 Abbildungen und 34 Gravüren. (München: Hugo Schmidt Verlag, 1922) [in German]
  • Bredt, E. W.: Die Rembrandt-Bibel: Altes und Neues Testament [3rd ed., 2 vols.]. (München: Hugo Schmidt Verlag, 1926) [in German]
  • Brom, Gerard: Rembrandt in de literatuur. (Groningen: J. B. Wolters, 1936) [in Dutch]
  • Broos, B.P.J.: Rembrandt studies. (Ph.D. diss., Universiteit Utrecht, 1977) [in Dutch]
  • Broos, B.P.J.: Index to the Formal Sources of Rembrandt's Art. (Maarssen, Netherlands: Gary Schwartz, 1977)
  • Broos, B.P.J.: Het Rembrandt boek. (Zwolle: Waanders, 2006, ISBN 9040091110) [in Dutch]
  • Broos, B.P.J.: Saskia, de vrouw van Rembrandt. (Zwolle: Wbooks, 2012) [in Dutch]
  • Broos, Ton; Dierick, A.P. (eds.): About and Around Rembrandt: Special Issue of the Canadian Journal of Netherlandic Studies in Commemoration of the 400th Birthday of Rembrandt Harmensz. van Rijn [Canadian Journal of Netherlandic Studies/Revue canadienne d'études néerlandaises, Volume XXVIII]. (Windsor, Ontario: CAANS-ACAEN, 2007)
  • Brown, Christopher; Kelch, Jan; van Thiel, Pieter (eds.): Rembrandt: The Master and His Workshop. (New Haven: Yale University Press, 1991)
  • Bruchmann, Alexandra: Zwischen Emulation und Dekonstruktion. Rezeption der diskursiven Künstlerfigur Rembrandt in der Kunst der zweiten Hälfte des 20. Jahrhunderts. (Ph.D. thesis, Universität zu Köln, 2012) [in German]
  • Bruin, Kees: De echte Rembrandt. Verering van een genie in de twintigste eeuw. ((Amsterdam: Balans, 1995) [in Dutch]
  • Bruyn, J.; et al: A Corpus of Rembrandt Paintings [Volume I, Stichting Foundation Rembrandt Research Project]. (The Hague / Boston / London, 1982)
  • Bruyn, J.; et al: A Corpus of Rembrandt Paintings [Volume II, Stichting Foundation Rembrandt Research Project]. (Dordrecht / Boston / Lancaster, 1982)
  • Brückner, Christel: Rembrandts Braunschweiger “Familienbild”: Seine thematische Figuren- und Farbkomposition und die Kunst Italiens. (Hildesheim: Olms, 1997, ISBN 3-487-10244-7) [in German]
  • Buechli, Esther: Points de vue, points de fuite: la perspective dans l'atelier de Rembrandt. (Ph.D. diss., Université de Lausanne, 2009) [in French]
  • Burckhardt, Jacob: Rembrandt und Van Dyck. Zwei Vorträge. (Bern: Alfred Scherz, 1947) [in German]
  • Butor, Michel: Dialogue avec Rembrandt van Rijn sur Samson et Dalila. (Paris: Absteme et Bobance Éditions, 2005, ISBN 2-914490-13-5) [in French]
  • Buvelot, Quentin; White, Christopher (eds.): Rembrandt by Himself. (London: National Gallery Publications Limited, 1999)
  • Campbell, C.G.: Studies in the Formal Sources of Rembrandt's Figure Compositions. (PhD dissertation, University of London, 1971)
  • Carroll, Margaret D.: Rembrandt's Nightwatch and the Iconological Traditions of Militia Company Portraiture in Amsterdam. (Ph.D. diss., Harvard University, 1976)
  • Carstensen, Hans Thomas: Empirie als Bildsprache. Überlegungen zum jüdischen Einfluss auf Rembrandts Kunst [Wissenschaftliche Beiträge aus europäischen Hochschulen]. (Ammersbek bei Hamburg: Verlag an der Lottbek, 1993) [in German]
  • Cavalli-Björkman, Görel (ed.): Rembrandt and His Pupils: Papers Given at a Symposium in Nationalmuseum Stockholm, 2–3 October 1992. (Stockholm: Nationalmuseum, 1993)
  • Chalard-Fillaudeau, Anne: Rembrandt dans l'histoire de l'art, la littérature et la philosophie européennes depuis 1669. (Thèse soutenue à l'Ecole Pratique des Hautes Etudes, Paris, 2002) [in French]
  • Chalard-Fillaudeau, Anne: Rembrandt, l'artiste au fil des textes: Rembrandt dans la literature et la philosophie Européenne depuis 1669. (Paris: L'Harmattan, 2004) [in French]
  • Chambaz, Bernard: Ecce homo ou l'énigme Rembrandt. (Paris: Desclée de Brouwer Éditions, 2006, ISBN 2-220-05703-8) [in French]
  • Chapman, H. Perry: The Image of the Artist: Roles and Guises in Rembrandt's Self-Portraits. (Ph.D. diss., Princeton University, 1983)
  • Chapman, H. Perry: Rembrandt's Self-Portraits: A Study Seventeenth-Century Identity. (Princeton, N.J.: Princeton University Press, 1990)
  • Charrier, Claire: Du sublime dans l'œuvre gravé de Rembrandt. (Thèse de doctorat en Esthétique et science de l'art, Université Paris Ouest Nanterre La Défense, 2016) [in French]
  • Chong, Alan (ed.): Rembrandt Creates Rembrandt: Art and Ambition in Leiden, 1629–1631. [Essays by Arthur K. Wheelock, Jr., Mariët Westermann, Christopher White and Alan Chong]. (Boston: Isabella Stewart Gardner Museum; Zwolle: Wanders Publishers, 2000, ISBN 90-400-9468-3)
  • Chung, Jina: Rembrandt Redefined: Making the “Global Artist” in Seventeenth-Century Amsterdam. (MA thesis, University of Texas at Austin, 2011)
  • Clark, Kenneth: Rembrandt and the Italian Renaissance. (London: John Murray, 1966)
  • Clark, Kenneth: An Introduction to Rembrandt. (London: John Murray/Readers Union, 1978)
  • Claussin, Ignace Joseph de: Catalogue raisonné de toutes les estampes qui forment l'œuvre de Rembrandt, et des principales pièces de ses élèves; composé par les sieurs Gersaint, Helle, Glomy et P. Yver [Nouvelle édition corrigée et consi-dérablement augmentée]. (Paris, 1824) [in French]
  • Connor, Alexandra: Rembrandt's Monkey: And Other Tales from the Secret Lives of the Great Artists. (New York: St. Martin's Press, 1991)
  • Crenshaw, Paul: Rembrandt's Bankruptcy. (Ph.D. thesis, Institute of Fine Arts, New York University, 2000)
  • Crenshaw, Paul: Rembrandt's Bankruptcy: The Artist, his Patrons, and the Art market in Seventeenth-Century Netherlands. (Cambridge and New York: Cambridge University Press, 2006, ISBN 978-0521858250)
  • Coquerel, Athanase: Rembrandt et l'individualisme dans l'art. (Paris: Sandoz et Fischbacher, 1868) [in French]
  • De Groot, Cornelis Hofstede: Die Urkunden über Rembrandt (1575–1721). (The Hague: Martinus Nijhoff, 1906) [in German]
  • De Groot, Cornelis Hofstede: Die holländische Kritik der jetzigen Rembrandt-Forschung und neuest wiedergefundene Rembrandtbilder. (Stuttgart: Deutsche Verlags-Anstalt, 1922) [in German]
  • Dagen, Philippe: L'influence de Rembrandt sur la peinture contemporaine en France de la fin du XIXe siècle à nos jours. (Ph.D. diss., Université Paris-Sorbonne, 1982) [in French]
  • De Vries, A. B.; Froentjes, W.; Tóth-Ubbens, Magdi: Rembrandt in the Mauritshuis: An Interdisciplinary Study. Translated from the Dutch by James Brockway. (Alphen aan den Rijn: Sijthoff & Noordhoff, 1978)
  • De Wilt, Koos: Rembrandt Inc.: Marktstrategieën van een genie. (Amsterdam: Nieuw Amsterdam, 2006, ISBN 978-90-468-0184-0) [in Dutch]
  • De Winkel, Marieke: Fashion and Fancy: Dress and Meaning in Rembrandt's Paintings. (Amsterdam: Amsterdam University Press, ISBN 90-5356-917-0)
  • Debluë, François: Conversation avec Rembrandt. (Paris: Éditions Seghers, 2006) [in French]
  • Debrunner, Hugo: Rembrandts frühes Schaffen. (Zürich, 1929) [in German]
  • Dekiert, Marcus: Rembrandt: Die Opferung Isaaks. (Munich: Alte Pinakothek, 2004) [in German]
  • Dessons, Gérard: L'odeur de la peinture, essai sur une question posée par Rembrandt à la peinture représentative. (Paris: L'Aphélie, 1987) [in French]
  • Dessons, Gérard: Rembrandt, l'odeur de la peinture; à partir d'une question posée à la peinture représentative. (Paris: Éditions Laurence Teper, 2006) [in French]
  • Dessons, Gérard: L'odeur de la peinture. L'hypothese Rembrandt. (Paris: Manucius, 2013) [in French]
  • Dickey, Stephanie S.: Rembrandt Harmensz van Rijn: The Illustrated Bartsch, Vol. 50 [Supplement]. (New York: AbarisBooks, 1993)
  • Dickey, Stephanie S.: Prints, Portraits and Patronage in Rembrandt's Work around 1640. (Ph.D. diss., New York University, 1994)
  • Dickey, Stephanie S.: Rembrandt: Portraits in Print. (Amsterdam/Philadelphia: John Benjamins, 2004)
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  • Schrade, Stephanie; et al. (eds.): Rembrandt and the Inspiration of India. (J. Paul Getty Museum, 2018, ISBN 978-1-60606-552-5)
  • Schupbach, William: The Paradox of Rembrandt's Anatomy of Dr. Tulp [Medical History, Supplement No. 2]. (London: Wellcome Institute for the History of Medicine, 1982)
  • Scott, Susan (ed.): Rembrandt, Rubens, and the Art of Their Time: Recent Perspectives. (University Park: Pennsylvania State University Press, 1997)
  • Seghers, Anna / Reiling, Netty: Jude und Judentum im Werke Rembrandts. (Ph.D. diss., Universität Heidelberg, 1924; Leipzig: Reclam, 1981) [in German]
  • Seidlitz, Woldemar von: Die Radierungen Rembrandts. (Leipzig, 1922) [in German]
  • Sell, Stacey Lynn: Rembrandt's Draftsmanship and the Traditions of Renaissance Art. (Ph.D. diss., University of Virginia, 1993)
  • Senzoku, Nobuyuki; et al.: Renburanto, Kyoshō to sono shūhen [Rembrandt and the Bible]. (Tokyo: Art Life, 1986) [in Japanese]
  • Servaes, Franz: Rembrandt im Rahmen seiner Zeit. (Wien/Leipzig: Karl König, 1926) [in German]
  • Simmel, Georg: Rembrandt: Ein kunstphilodophischer Versuch. (Leipzig: K. Wolff Verlag, 1916) [in German]
  • Simmel, Georg: Rembrandt: An Essay in the Philosophy of art. Translated and edited by Alan Scott and Helmut Staubmann. (New York: Routledge, 2005)
  • Singer, Hans W.: Rembrandt, des Meisters Radierungen. (Stuttgart/Leipzig: Deutsche Verlags-Anstalt, 1906) [in German]
  • Slatkes, Leonard J.: Rembrandt and Persia. (New York: Abaris Books, 1983)
  • Slive, Seymour: Rembrandt and his Critics, 1630–1730. (The Hague: Martinus Nijhoff, 1953)
  • Slive, Seymour: Rembrandt Drawings. (Los Angeles: J. Paul Getty Museum, 2009)
  • Slive, Seymour: The Drawings of Rembrandt: A New Study. (London: Thames & Hudson, 2009)
  • Sluijter, Eric Jan: Rembrandt and the Female Nude. (Amsterdam: Amsterdam University Press, 2006, ISBN 978-90-5356-876-7)
  • Sluijter, Eric Jan: Rembrandt's Rivals: History painting in Amsterdam, 1630–1650 [Oculi: Studies in the Arts of the Low Countries, vol. 14]. (Amsterdam/Philadelphia: John Benjamins Publishing, 2015)
  • Smith, Samantha L.: Painting Blindness and Obscuring Vision: Rembrandt and the Senses. (Master's Thesis in Art History, University of Bergen, 2014)
  • Squarzina, Silvia Danesi: Giovinezza di Rembrandt. La committenza mennonita. (Rome: De Luca Editori d'Arte, 2013, ISBN 8865571373) [in Italian]
  • Stam, Deirdre C.: Rembrandt After Three Hundred Years: A Symposium. (Chicago: Art Institute of Chicago, 1973)
  • Starcky, Emmanuel: Rembrandt: Les figures. (Paris: Flammarion, 1999) [in French]
  • Strauss, Walter; van der Meulen, Marjon (eds.): The Rembrandt Documents. (New York: Abaris Books, 1979)
  • Streiff, Bruno: Le Peintre et le Philosophe ou Rembrandt et Spinoza à Amsterdam [Collection Privée]. (Éditions Complicités, 2002, ISBN 978-2910721343) [in French]
  • Stückelberger, Johannes: Rembrandt und die Moderne. Der Dialog mit Rembrandt in der deutschen Kunst um 1900. (München: Wilhelm Fink Verlag, 1996) [in German]
  • Sumowski, Werner: Drawings of the Rembrandt School [10 vols.]. Edited and translated by Walter L. Strauss. (New York: Abaris Books, 1979–1992)
  • Sumowski, Werner: Gemälde der Rembrandt-Schüler in vier Bänden [6 vols.]. (Landau / Pfalz, 1983) [in German]
  • Suthor, Nicola: Rembrandts Rauheit. Eine phänomenologische Untersuchung. (Paderborn: Wilhelm Fink Verlag, 2014) [in German]
  • Suthor, Nicola: Rembrandt's Roughness. (Princeton University Press, 2018, ISBN 9780691172446)
  • 'T Hooft, W. A. Visser: Rembrandt and the Gospel. (London: SCM Press, 1957)
  • Taylor, Michael: Rembrandt's Nose: Of Flesh and Spirit in the Master's Portraits. (New York: Distributed Art Publishers, 2007)
  • Tummers, Annaand; Jonckheere, Koenraad (eds.): Art market and Connoisseurship: A Closer Look at Paintings by Rembrandt, Rubens and Their Contemporaries. (Amsterdam: Amsterdam University Press, 2008)
  • Tummers, Anna: The Eye of the Connoisseur: Authenticating Paintings by Rembrandt and His Contemporaries. (Amsterdam: Amsterdam University Press, 2011, ISBN 978-1-60606-084-1)
  • Tümpel, Christian: Rembrandt mit Selbstzeugnissen und Bilddokumenten. (Reinbeck bei Hamburg: Rowohlt, 1977) [in German]
  • Tümpel, Christian: Rembrandt: Mythos und Methode. (Königstein im Taunus, 1986) [in German]
  • Tümpel, Christian: Rembrandt: All the Paintings in Colour. (Antwerp: Fonds Mercator, 1993)
  • Tümpel, Christian; Tümpel, Astrid: Rembrandt: Images and Metaphors. (London: Haus Books, 2006)
  • Tümpel, Christian; et al.: Rembrandt en de Bijbel. (Zwolle: Waanders, 2006, ISBN 978-90-400-8283-2)
  • Valentiner, Wilhelm R.: Rembrandt und seine Umgebung. (Straßburg, 1905) [in German]
  • Valentiner, Wilhelm R.: Rembrandt in Bild und Wort, ed. Wilhelm von Bode. (Berlin: Rich Bong Kunstverlag, 1907) [in German]
  • Valentiner, Wilhelm R.: Rembrandt: Des Meisters Gemälde [3rd revised edition] (Klassiker der Kunst in Gesamtausgaben 2). (Stuttgart/Leipzig: Deutsche-Verlags Anstalt, 1909) [in German]
  • Valentiner, Wilhelm R.: Rembrandt: Wiedergefundene Gemälde, 1910–1922 [revised ed.] (Klassiker der Kunst in Gesamtausgaben 27). (Stuttgart: Deutsche-Verlags Anstalt, 1923) [in German]
  • Valentiner, Wilhelm R.: Rembrandt Paintings in America [2 vols.]. (New York, 1931)
  • Valentiner, Wilhelm R.: Rembrandt: Des Meisters Handzeichnungen [2 vols.]. (Stuttgart/Berlin/Leipzig: Deutsche Verlags-Anstalt, 1925–34) [in German]
  • Valentiner, Wilhelm R.: Rembrandt and Spinoza: A Study of the Spiritual Conflicts in Seventeenth-Century Holland. (London: Phaidon Press, 1957)
  • Van Dyke, John Charles: Rembrandt and His School: A Critical Study of the Master and His Pupils with a New Assignment of Their Pictures. (New York: Charles Scribner's Sons, 1923)
  • Van Heel, S.A.C. Dudok: De jonge Rembrandt onder tijdgenoten. Godsdienst en schilderkunst in Leiden en Amsterdam. (Nijmegen: Nijmegen University Press, 2006) [in Dutch]
  • Van de Wetering, Ernst; et al. (eds.): A Corpus of Rembrandt Paintings, Vol. I: 1625–1631; Vol. II: 1631–1634; Vol. III: 1635–1642. (Dordrecht: Martinus Nijhoff, 1982, 1986, 1989)
  • Van de Wetering, Ernst; Schackenburg, Bernhard (eds.): The Mystery of the Young Rembrandt. (Wolfratshausen: Edition Minerva, 2001, ISBN 3-932353-59-5)
  • Van de Wetering, Ernst: Rembrandt's Hidden Self-Portraits. (Amsterdam: Museum Het Rembrandthuis, 2003)
  • Van de Wetering, Ernst; et al. (eds.): A Corpus of Rembrandt Paintings, Vol. IV: The Self-Portraits [Stichting Foundation Rembrandt Research Project]. (Dordrecht: Springer, 2005)
  • Van de Wetering, Ernst: Rembrandt: Quest of a Genius. (Waanders Publishers, 2007)
  • Van de Wetering, Ernst: Rembrandt in nieuw licht. (Amsterdam: Local World, 2009) [in Dutch]
  • Van de Wetering, Ernst; Retèl, Paulien: Rembrandt: The Painter at Work. (Oakland: University of California Press, 2009)
  • Van de Wetering, Ernst; et al. (eds.): A Corpus of Rembrandt Paintings, Vol. V: The Small-Scale History Paintings. (Dordrecht: Springer, 2011)
  • Van de Wetering, Ernst; et al. (eds.): A Corpus of Rembrandt Paintings, Vol. VI: Rembrandt's Paintings Revisited – A Complete Survey. (Dordrecht: Springer, 2014)
  • Van de Wetering, Ernst: Rembrandt: The Painter Thinking. (Oakland: University of California Press, 2016)
  • Van Straten, Roelof: Rembrandts Leidse tijd, 1606–1632. (Leiden: Foleor Publishers, 2005, ISBN 9075035217) [in Dutch]
  • Van Straten, Roelof: Young Rembrandt: The Leiden Years, 1606–1632. Translated from the Dutch by R. Quartero, with contributions by Ingrid Moerman. (Leiden: Foleor Publishers, 2005, ISBN 90-75035-22-5)
  • Van Straten, Roelof: Rembrandts Weg zur Kunst, 1606–1632. (Berlin: Dietrich Reimer Verlag, 2006, ISBN 9783496013433) [in German]
  • Verdi, Richard: Rembrandt's Themes: Life into Art. (New Haven, CT: Yale University Press, 2014, ISBN 978-0300201536)
  • Vergara, Alejandro (ed.); et al.: Rembrandt, Pintor de Historias. (Madrid: Museo del Prado, 2008) [in Spanish]
  • Verschoor, Gerdien: Het meisje en de geleerde. Kroniek van twee verloren gewaande Rembrandts. (Atlas Contact, 2019, ISBN 9789045037912) [in Dutch]
  • Vogel-Köhn, Doris: Rembrandts Kinderzeichnungen. (Ph.D. diss., Universität Würzburg, 1974) [in German]
  • Vogelaar, Christiaan; et al.: Rembrandt & Lievens in Leiden: Een jong en edel schildersduo. (Leiden: Stedelijk Museum De Lakenhal, 1991) [in Dutch]
  • Vogelaar, Christiaan; et al.: Rembrandt's Mother. Myth and Reality. (Leiden: Stedelijk Museum De Lakenhal, 2005)
  • Volkenandt, Claus: Rembrandt: Anatomie eines Bildes. (Munich: Wilhelm Fink, 2004, ISBN 978-3-7705-4002-0) [in German]
  • Von Bode, Wilhelm; de Groot, Cornelis Hofstede: The Complete Work of Rembrandt: History, Description and Heliographic Reproduction of All the Master's Pictures, with a Study of His Life and Art. [8 vols.]. (Paris: Charles Sedelmeyer, 1897–1906)
  • Von Bode, Wilhelm: Rembrandt und seine Zeitgenossen: Charakterbilder der grossen Meister der holländischen und vlämischen Malerschule im siebzehnten Jahrhundert. (Leipzig: E. A. Seemann Verlag, 1907) [in German]
  • Wallace, Robert: The World of Rembrandt. (New York: Time-Life Books, 1968)
  • Watkins, Catherine Bailey: Rembrandt's 1654 Life of Christ Prints: Graphic Chiaroscuro, the Northern Print Tradition, and the Question of Series. (Ph.D. diss., Case Western Reserve University, 2011)
  • Wauschkuhn, Annette: Georg Simmels Rembrandt-Bild. Ein lebensphilosophischer Beitrag zur Rembrandtrezeption im 20. Jahrhundert. (Worms: Werner Verlag, 2002) [in German]
  • Wegner, Wolfgang: Rembrandt und sein Kreis. Zeichnungen und Druckgraphic. (Munich: Staatliche Graphische Sammlung, 1966) [in German]
  • Wencelius, Léon: Calvin et Rembrandt, étude comparative de la philosophie de l'art de Rembrandt et de l'esthétique de Calvin. (Paris: Société d'Edition [Les Belles Lettres], 1937) [in French]
  • White, Christopher; Alexander, David; D'Oench, Ellen: Rembrandt in Eighteenth-Century England. (New Haven: Yale Center for British Art, 1983)
  • White, Christopher: Rembrandt as an Etcher: A Study of the Artist at Work [2 vols.]. (London: A. Zwemmer, 1969; 2nd ed., New Haven, CT: Yale University Press, 1999)
  • White, Howard B.: Antiquity Forgot: Essays on Shakespeare, Bacon, and Rembrandt. (The Hague: Martinus Nijhoff, 1978)
  • Wickhoff, Franz: Einige Zeichnungen Rembrandts mit biblischen Vorwürfen [Seminarstudien]. (Innsbruck, 1906) [in German]
  • Wijnman, H.F.: Uit de kring van Rembrandt en Vondel. Verzamelde studies over hun leven en omgeving. (Amsterdam: Noord-Hollandsche Uitgevers Maatschappij, 1959) [in Dutch]
  • Williams, Julia Lloyd: Rembrandt's Women. (Munich: Prestel Verlag, 2001)
  • Winzinger, Franz: Rembrandt Landschaftszeichnungen. (Baden-Baden, 1953) [in German]
  • Wischnitzer, Rachel: From Dura to Rembrandt: Studies in the History of Art. (Jerusalem: Center for Jewish Art, 1990)
  • Wright, Christopher: Rembrandt: Self-Portraits. (London: Gordon Fraser, 1982)
  • Wubben, Arno: Zoektocht in Hartstocht. Bezoeken aan Rembrandtschilderijen wereldwijd. (Boekscout, 2017, ISBN 9789402235593) [in Dutch]
  • Zell, Michael: Protestant Imagery and Jewish Apologetics: Rembrandt's Encounterwith Rabbi Menasseh ben Israel. (Ph.D. diss., Harvard University, 1994)
  • Zell, Michael: Reframing Rembrandt: Jews and the Christian Image in Seventeenth-Century Amsterdam. (Berkeley: University of California Press, 2002)
  • Zell, Michael; Chong, Alan (eds.): Rethinking Rembrandt. (Zwolle: Waanders Publishers, 2002)

Journal articles, scholarly papers, essays, and book chapters

  • Abastado P.; Chemla, D. (2007), 'Rembrandt's doctors,'. Medical Humanities 33(1): 35–37
  • Adams, Henry (1984), 'If Not Rembrandt, Then His Cousin?,'. The Art Bulletin 66(3): 427–441
  • Afek, A.; Friedman, T.; Kugel, C.; Barshack, I.; Lurie, DJ. (2009), 'Dr. Tulp's Anatomy Lesson by Rembrandt: the Third Day Hypothesis,'. Israel Medical Association Journal 11(7): 389–92
  • Ahmad, Iftikhar (2008), 'Art in Social Studies: Exploring the World and Ourselves with Rembrandt,'. The Journal of Aesthetic Education 42(2): 19–37
  • Alexander-Knotter, Mirjam (1999), 'An Ingenious Device: Rembrandt's Use of Hebrew Inscriptions,'. Studia Rosenthaliana 33(2): 131–159
  • Alting, M.P.; Waterbolk, T.W. (1982), 'New light on the anatomical errors in Rembrandt's Anatomy Lesson of Dr. Nicolaas Tulp,'. J Hand Surg Am. 7(6): 632–4
  • Baer, Ronni (2012), 'Of Cats and Dogs: Domestic Pets in Rembrandt and Dou,'. In: Een Kroniek voor Jeroen Giltaij: Kroniek van het Rembrandthuis. (Amsterdam: Rembrandthuis, 2012), pp. 63–9
  • Bal, Mieke; Vardoulakis, Dimitris (2011), 'An Inter-action: Rembrandt and Spinoza,'. In: Spinoza Now. Edited by Dimitris Vardoulakis. (Minneapolis: University of Minnesota Press, 2011), pp. 277–303
  • Baldinucci, Filippo: 'Life of Rembrandt,' from Cominciamento e Progresso dell'arte d'intagliare in rame colle vita de' piu eccellenti maestri della stessa professione. 1686, in ed. Charles Ford. Lives of Rembrandt. (London: Pallas Athene, 2007), pp. 35–48. [in Italian]
  • Baldwin, Robert (1984), 'Rembrandt's Visual Sources from Italy and Antiquity,'. Source: Notes in the History of Art 4(1): 22–29
  • Baldwin, Robert (1985), '"On earth we are beggars, as Christ himself was": The Protestant Background to Rembrandt's Imagery of Poverty, Begging, and Sickness,'. Konsthistorisk Tidskrift (LIV) 3: 122–135
  • Baldwin, Robert (1989), 'Rembrandt's New Testament Prints: Artistic Genius, Social Anxiety, and the Calvinist Marketed Image,'. In: Shelley Perlove (ed.), Impressions of Faith: Rembrandt's Biblical Etchings. (Dearborn: University of Michigan, 1989), pp. 24–34
  • Banfi, A. (1931), 'Il Rembrandt di Simmel,'. In Id., Vita dell'arte, Opere, vol. V, E. Mattioli et G. Scaramuzza (dir.), Reggio nell'Emilia, Istituto Antonio Banfi, p. 329–337. [in Italian]
  • Bankl, H.C.; Bankl, H. (2000), 'Dr. Nicolaas Tulp: A Critical View of Rembrandt's Anatomy Lesson,'. Wien Klin Wochenschr. 112(8): 368–71. [in German]
  • Barker, Mary Christine (2010), 'Transcending Tradition: Rembrandt's Death of the Virgin 1639: A Re-Vision,'. Dutch Crossing: Journal of Low Countries Studies 34(2): 138–61. doi:10.1179/030965610X12726397286205
  • Bauch, Kurt (1967), 'Ikonographischer Stil: Zur Frage der Inhalte in Rembrandt's Kunst,'. In: Studien zur Kunstgeschichte. (Berlin: De Grayter, 1967), pp. 123–151. [in German]
  • Benesch, Otto (1956), 'Worldly and Religious Portraits in Rembrandt's Late Art,'. The Art Quarterly 19: 335–355
  • Benesch, Otto (1970), 'Rembrandt's Artistic Heritage: From Goya to Cézanne,'. (Collected Writings, vol. 1, New York, 1970, pp. 57–82)
  • Benesch, Otto (1973), 'Rembrandts Bild bei Picasso,'; in Benesch's Collected Writings, vol. 4 (London, 1973) [in German]
  • Bergström, Ingvar (1966), 'Rembrandt's Double Portrait of Himself and Saskia at the Dresden Gallery: A Tradition Transformed,'. Nederlands Kunsthistorisch Jaarboek 17: 143–69
  • Białostocki, Jan (1957), 'Bellori's Caravaggio and Sandrart's Rembrandt,'. Burlington Magazine 99(653): 274–275
  • Białostocki, Jan (1957), 'Ikonographische Forschungen zu Rembrandts Werk,'. Münchner Jahrbuch der Bildenden Kunst 8: 195–210. [in German]
  • Białostocki, Jan (1966), 'Rembrand's "Terminus": To Wolfgang Stechow,'. Wallraf-Richartz-Jahrbuch 28: 49–60
  • Białostocki, Jan (1968), 'Rembrandt's 'Eques Polonus','. Oud Holland: Journal for Art of the Low Countries 84(2/3): 163–176. JSTOR 42712350
  • Białostocki, Jan (1972), 'Rembrandt and Posterity,'. Nederlands Kunsthistorisch Jaarboek 23 (1972): 131–157
  • Białostocki, Jan (1973), 'Der Sünder als tragischer Held bei Rembrandt. Bemerkungen zu neueren ikonographischen Studien über Rembrandt,'; in: von Simson, Otto Georg; Kelch, Jan (hrsg.): Neue Beiträge zur Rembrandt-Forschung. (Berlin: Mann, 1973), pp. 137–154. [in German]
  • Białostocki, Jan (1984), 'A New Look at Rembrandt Iconography,'. Artibus et Historiae 5(10): 9–19
  • Binstock, Benjamin (1999), 'Rembrandt's Paint,'. RES: Anthropology and Aesthetics 36: 138–165
  • Binstock, Benjamin (2001), 'I've Got You under My Skin: Rembrandt, Riegl and the Will of Art History,'. In: Richard Woodfield (ed.), Framing Formalism: Riegl's Work. (Amsterdam: G&B International, 2001), pp. 219–63
  • Binstock, Benjamin (2001), 'The Ruins of Rembrandt,'. Dutch Crossing: Journal of Low Countries Studies 25(2): 323–341. doi:10.1080/03096564.2001.11730803
  • Binstock, Benjamin (2003), 'Seeing Representations; or, The Hidden Master in Rembrandt's Syndics,'. Representations 83(1): 1–37. doi:10.1525/rep.2003.83.1.1
  • Binstock, Benjamin (2006), 'The Birth of Rembrandt,'. In: M. Roscam Abbing (ed.), Rembrandt 2006: Essays. (Amsterdam: Foleor, 2006), pp. 267–78
  • Black, Peter (2018), 'Rembrandt: paragon of the etching revival,'. In: Seifert, C. T. (ed.) Rembrandt: Britain's Discovery of the Master. (Edinburgh: National Galleries Scotland, 2018), pp. 107–113
  • Blanc, Jan (2009), 'Rembrandt and the Historical Construction of His Conspiracy of Claudius Civilis,'. In: L. Cruz & W. Frijhoff (eds.), Myth in History, History in Myth. (Leiden, 2009), pp. 237–53
  • Bok, Marten Jan (2004), 'Rembrandt's Fame and Rembrandt's Failure: The Market for History Paintings in the Dutch Republic,'. In: A. Kofuku (ed.), Rembrandt and Dutch History Painting in the 17th Century. (Tokyo, 2004), pp. 159–180
  • Bok, Marten Jan; van der Molen, Tom (2009), 'Productivity Levels of Rembrandt and His Main Competitors in the Amsterdam Art Market,'. Jahrbuch der Berliner Museen 51. Bd., Beiheft. Rembrandt — Wissenschaft auf der Suche. Beiträge des Internationalen Symposiums Berlin — 4. und 5. November 2006: 61–68
  • Borowitz, Helen O. (1983), 'The Rembrandt and Monet of Marcel Proust,'. The Bulletin of the Cleveland Museum of Art 70(2): 73–95
  • Bourne, R.G. (2000), 'Did Rembrandt's Bathsheba really have breast cancer?,'. Aust N Z J Surg. 70(3): 231–2
  • Bracken, W. Worth (2011), 'So as to give birth to your own inventions, too': Rembrandt transforming Annibale,'. In: Aemulatio. Imitation, emulation and invention in Netherlandish art from 1500 to 1800. Essays in honor of Eric Jan Sluijter. (Zwolle, 2011), pp. 138–152
  • Bracken, W. Worth (2018), 'Rembrandt's "Lamentation over the Dead Christ" at the British Museum: A Reconsideration,'. Master Darwings 56: 149–168
  • Braider, Christopher (1998), 'The Fountain of Narcissus: The Invention of Subjectivity and the Pauline Ontology of Art in Caravaggio and Rembrandt,'. Comparative Literature 50(4): 286–315
  • Braithwaite, P.A.; Shugg, D. (1983), 'Rembrandt's Bathsheba: the dark shadow of the left breast,'. Ann R Coll Surg Engl. 65(5): 337–8
  • Behpoor, Bavand (2010), 'How Moghul Was Rembrandt? A Critique on a Global Laboratory of Infinite Multiplicities,'. Third Text 24(4): 501–504. doi:10.1080/09528822.2010.491389
  • Broomhall, Susan; Spinks, Jenny (2009), 'Finding Rembrandt? Place, History, Experience and the Individual,'. Dutch Crossing: Journal of Low Countries Studies 33(1): 6–22. doi:10.1179/155909009X422464
  • Broos, B.P.J. (1971), 'The 'O' of Rembrandt,'. Simiolus: Netherlands Quarterly for the History of Art 4(3): 150–84
  • Broos, B.P.J. (1974), 'Rembrandt's Portrait of a Pole and His Horse,'. Simiolus: Netherlands Quarterly for the History of Art 7(4): 192–218
  • Broos, B.P.J. (1976), 'Rembrandt and Lastman's "Coriolanus": The History Piece in 17th-Century Theory and Practice,'. Simiolus: Netherlands Quarterly for the History of Art 8(4): 199–228
  • Broos, B.P.J. (1999), 'Rembrandt and His Picturesque Universe: The Artist's Collection as a Source of Inspiration,'. In: Rembrandt's Treasures, ed. Bob van den Boogert [exh. cat.]. (Amsterdam: Rembrandt House Museum; Zwolle: Waanders Publishers, 1999), pp. 91–13
  • Broos, B.P.J. (2009), 'Rembrandt & Saskia: Recent Research,'. Jahrbuch der Berliner Museen 51. Bd., Beiheft. Rembrandt — Wissenschaft auf der Suche. Beiträge des Internationalen Symposiums Berlin — 4. und 5. November 2006 (2009): 9–15. JSTOR 25674330
  • Broos, B.P.J. (2013), 'The Young Samuel van Hoogstraten Corrected by Rembrandt,'. In: The Universal Artof Samuel van Hoogstraten (1627–1678): Painter, Writer and Courtier, edited by Thijs Weststeijn. (Amsterdam: Amsterdam University Press, 2013), pp. 77–95
  • Broude, Norma (1976), 'The Influence of Rembrandt Reproductions on Seurat's Drawing Style: A Methodological Note,'. Gazette des Beaux-Arts 1293: 155–60
  • Bruyn, J. (1970), 'Rembrandt and the Italian Baroque,'. Simiolus: Netherlands Quarterly for the History of Art 4: 28–48
  • Bruyn, J. (1990), 'An Unknown Assistant in Rembrandt's Workshop in the Early 1660s,'. The Burlington Magazine 132(1051): 714–718
  • Budick, Sanford (1988), 'Rembrandt's Jeremiah,'. Journal of the Warburg and Courtauld Institutes 51: 260–264
  • Budick, Sanford (1991), 'Rembrandt's and Freud's "Gerusalemme Liberata",'. Social Research 58(1): 189–207
  • Budick, Sanford (1997), 'Descartes's Cogito, Kant's Sublime, and Rembrandt's Philosophers: Cultural Transmission as Occasion for Freedom,'. Modern Language Quarterly 58(1): 27–61. doi:10.1215/00267929-58-1-27
  • Bulckens, Koen (2012), 'A Clash of Titans: The Rubens and Rembrandt Corpuses Compared,'. The Rubenianum Quarterly 3: 3–4
  • Bulckens, Koen (2014), 'Cataloguing Rubens and Rembrandt: A Closer Look at the Corpus Rubenianum and the Rembrandt Research Project,'. Rubensbulletin (Koninklijk Museum voor Schone Kunsten Antwerpen) 5: 93–128
  • Buvelot, Quentin (2017), 'Rembrandt in the Mauritshuis: Work in Progress,'. JHNA: Journal of Historians of Netherlandish Art 9(1). doi:10.5092/jhna.2017.9.1.11
  • Cafritz, Robert C. (1988), 'Reverberations of Venetian Graphics in Rembrandt's Pastoral Landscapes,'. In: Robert C. Cafritz, Places of Delight: The Pastoral Landscape. (Washington, DC: Phillips Collection and National Gallery of Art, 1988), pp. 130–47
  • Cailleux, Jean (1972), 'Esquisse d'une Etude sur le goût pour Rembrandt en France au XVIIIe siecle,'. Nederlands Kunsthistorisch Jaarboek (NKJ) / Netherlands Yearbook for History of Art 23: 159–166. JSTOR 24705656 [in French]
  • Campbell, Louise (2014), 'Drawing Attention: John Postle Heseltine, the Etching Revival and Dutch Art of the Age of Rembrandt,'. Journal of the History of Collections 26(1): 103–15
  • Carriveau, Gary W.; Shelley, Marjorie (1982), 'A Study of Rembrandt Drawings Using X-Ray Fluorescence,'. Nuclear Instruments and Methods in Physics Research 193(1–2): 297–301. doi:10.1016/0029-554X(82)90713-3
  • Carroll, Margaret D. (1981), 'Rembrandt as Meditational Printmaker,'. The Art Bulletin 63(4): 585–610
  • Carroll, Margaret D. (1984), 'Rembrandt's "Aristotle": Exemplary Beholder,'. Artibus et Historiae 5(10): 35–56
  • Carroll, Margaret D. (2017), 'The Blade and the Brush: Rembrandt's Slaughtered Ox and Anatomy of Doctor Deyman'. Oxford Art Journal 40(3): 347–369. doi:10.1093/oxartj/kcx035
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  • Cersoy, Sophie; Sanyova, Jana; Richardin, Pascale; Laprévote, Olivier; Walter, Philippe; Brunelle, Alain (2011), 'Unexpected Materials in a Rembrandt Painting Characterized by High Spatial Resolution Cluster-TOF-SIMS Imaging,'. Analytical Chemistry 83(3): 753–760. doi:10.1021/ac1017748
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  • Valentiner, Wilhelm R. (1931), 'Rembrandt Drawings in the Havemeyer Collection,'. Metropolitan Museum Studies 3(2): 135–146
  • Valentiner, Wilhelm R. (1948), 'Rembrandt's Conception of Historical Portraiture,'. Art Quarterly 11(1948): 117–135
  • Van de Wetering, Ernst; Broekhoff, Paul (1996), 'New Directions in the Rembrandt Research Project, Part I: The 1642 Self-Portrait in the Royal Collection,'. The Burlington Magazine 138(1116): 174–180
  • Van de Wetering, Ernst (1997), 'The Miracle of Our Age: Rembrandt through the Eyes of His Contemporaries,'. In: Albert Blankert, et al. (eds.): Rembrandt: A Genius and His Impact [Exhibition Catalogue National Gallery of Victoria]. (Zwolle: Waanders, 1997), pp. 58–68
  • Van de Wetering, Ernst (1999), 'The Multiple Functions of Rembrandt's Self Portraits,'. In: Rembrandt by Himself, edited by Christopher White and Quentin Buvelot. (London: National Gallery Publications, 1999), pp. 8–37
  • Van de Wetering, Ernst (2001), 'Rembrandt's Beginnings: An Essay,'. In: Ernst van de Wetering, Bernhard Schnackenburg, et al., The Mystery of the Young Rembrandt. (Amsterdam: Museum Het Rembrandthuis, 2001), pp. 22–57
  • Van de Wetering, Ernst (2001), 'Thirty Years of the Rembrandt Research Project: The Tension Between Science and Connoisseurship in Authenticating Art,'. IFAR Journal 4(2): 14–26
  • Van de Wetering, Ernst (2006), 'Rembrandt as a Searching Artist,'. In: Ernst van de Wetering, et al., Rembrandt: Quest of a Genius. (Amsterdam: Museum Het Rembrandthuis, 2006), pp. 79–124
  • Van de Wetering, Ernst (2008), 'Connoisseurship and Rembrandt's Paintings: New Directions in the Rembrandt Research Project, Part II,'. The Burlington Magazine 150(1259): 83–90
  • Van de Wetering, Ernst (2011), 'More than one hand in paintings by Rembrandt,'. In: Ernst Van De Wetering, et al. (eds.): A Corpus of Rembrandt Paintings, Vol. V: The Small-Scale History Paintings. (Dordrecht: Springer, 2011), pp. 311–321
  • Van de Wetering, Ernst (2011), 'Towards a Reconstruction of Rembrandt's Art Theory,'. In: Ernst Van De Wetering, et al. (eds.): A Corpus of Rembrandt Paintings, Vol. V: The Small-Scale History Paintings. (Dordrecht: Springer, 2011), pp. 3–140
  • Van de Wetering, Ernst (2014), 'The Leiden Period (1624–1631). Rembrandt's research of the gronden,'. In: A Corpus of Rembrandt Paintings VI. Stichting Foundation Rembrandt Research Project, vol 6. (Dordrecht: Springer, 2014), pp. 68–117
  • Van Emde Boas, Conrad (1971), 'Rembrandt als erotischer Künstler,'. Zeitschrift für Psychosomatische Medizin und Psychoanalyse 17(2): 187–193. JSTOR 23995679 [in German]
  • Van Hoogstraten, Samuel (1672), 'Inleyding tot de Hooge Schoole der Schilderkonst' (Amsterdam, 1672). Translated for the Art Humanities Primary Source Reader by Benjamin Binstock.
  • Van Regteren Altena, J. Q. (1967), 'The Origin of a Motif in Rembrandt's Work,'. Master Drawings 5(4): 375–378
  • Van Schendel, A. (1956), 'Notes on the Support of Rembrandt's 'Claudius Civilis','. Konsthistorisk Tidskrift/Journal of Art History 25(1/4): 38–42. doi:10.1080/00233605608603566
  • Van Straten, Roelof (1992), 'Early Works by Lievens and Rembrandt in Two Unknown Still Lifes,'. Artibus et Historiae 13(26): 121–142. JSTOR 1483435
  • Van Straten, Roelof (2002), 'Rembrandt's "Earliest Prints" Reconsidered,'. Artibus et Historiae 23(45): 167–177. JSTOR 1483686
  • Vermeulen, Ingrid R. (2009), 'Michel de Marolles's album of Rembrandt prints and the reception of Dutch art in France,'. Simiolus: Netherlands Quarterly for the History of Art 34 (3/4): 155–182
  • Versteegh, Matthijs (2009), 'Sociology and Science. A Short Controversy Study About Rembrandt's Painting,'. Krisis: Journal for Contemporary Philosophy 1: 46–55
  • Wadum, Jørgen; Rønberg, Lene Bøgh (2006), 'Two Paintings in Copenhagen Re-Attributed to Rembrandt,'. The Burlington Magazine 148(1235): 82–88
  • Waiboer, Adriaan E. (2013), 'Willem de Poorter: Rembrandt/Not Rembrandt Pupil,'. JHNA: Journal of Historians of Netherlandish Art 5(2). doi:10.5092/jhna.2013.5.2.12
  • Wasserman, Burton (1970), 'Rembrandt: A Legacy of Eloquence,'. Art Education 23(3): 19–23. doi:10.1080/00043125.1970.11653842
  • Weisz, George M.; Albury, William R. (2013), 'Rembrandt's Jewish Physician—Dr Ephraim Bueno (1599–1665): A Brief Medical History,'. Rambam Maimonides Medical Journal 4(2): e0010. doi:10.5041/RMMJ.10110
  • Weisz, George M.; Albury, William R. (2015), 'Diseases of Old Age in Two Paintings by Rembrandt,'. Rambam Maimonides Medical Journal 6(4): e0042. doi:10.5041/RMMJ.10227
  • Westermann, Mariët (2011), 'Back to Basics: Rembrandt and the Emergence of Modern Painting,'. Perspective: la revue de l'INHA 4 (2011–12): 723–47
  • Weststeijn, Thijs (2005), 'Rembrandt and Rhetoric. The Concepts of affectus, enargeia and ornatus in Samuel van Hoogstraten's Judgement of His Master,'. In: The Learned Eye: Regarding art, theory and the artist's reputation, edited by Natasja van Eck, Marieke van den Doel, Gerbrand Korevaar, Anna Tummers and Thijs Weststenijn. (Amsterdam: Amsterdam University Press, 2005), pp. 111–30
  • Weststeijn, Thijs (2013), '"Passie, Hartstocht": Painting and Evoking Emotions in Rembrandt's Studio,'. In: Ad Fontes: Niederlandische Kunst des 17. Jahrhunderts in Quellen, edited by Claudia Fritzsche, Karin Leonhard and Gregor Weber. (Petersberg: Michael Imhof Verlag, 2013), pp. 305–30
  • Weststeijn, Thijs (2016), 'The Sublime and the “Beholder's Share”: Junius, Rubens, Rembrandt,'. JHNA: Journal of Historians of Netherlandish Art 8(2). doi:10.5092/jhna.2016.8.2.2
  • White, Raymond; Kirby, Jo (1994), 'Rembrandt and his Circle: Seventeenth-Century Dutch Paint Media Re-examined,'. National Gallery Technical Bulletin 15: 64–78
  • Wischnitzer, Rachel (1957), 'Rembrandt, Callot, and Tobias Stimmer,'. The Art Bulletin 39(3): 224–230
  • Wiser, Itay; Parnass, Adam J.; Rachmiel, Ronny; Westreich, Melvyn; Friedman, Tali (2016), 'Rembrandt's Ocular Pathologies,'. Ophthalmic Plastic and Reconstructive Surgery 32(4): 305–309
  • Wright, J. Lenore (2007), 'Reading Rembrandt: The Influence of Cartesian Dualism on Dutch Art,'. History of European Ideas 33(3): 275–291. doi:10.1016/j.histeuroideas.2006.11.012
  • Yanisky-Ravid, Shlomit (2017), 'Generating Rembrandt: Artificial Intelligence, Copyright, and Accountability in the 3A Era—The Human-Like Authors are Already Here—A New Model,'. Michigan State Law Review 659[2017]
  • Zell, Michael (2000), 'Encountering Difference: Rembrandt's Presentation in the Dark Manner,'. Art History 23(4): 496–521
  • Zell, Michael (2003), 'A Leisurely and Virtuous Pursuit: Amateur Artists, Rembrandt, and Landscape Representationin Seventeenth-Century Holland,'. Nederlands Kunsthistorisch Jaarboek 54: 337–373
  • Zell, Michael (2008), 'Eduard Kolloff and the Historiographic Romance of Rembrandt and the Jews,'. Simiolus: Netherlands Quarterly for the History of Art 28: 181–97
  • Zell, Michael (2011), 'Rembrandt's Gifts: A Case Study of Actor-Network-Theory,'. JHNA: Journal of Historians of Netherlandish Art 3(2). doi:10.5092/jhna.2011.3.2.2
  • Ziemba, Antoni (2008), 'Nowa wizja osobowosci i tworczosci Rembrandta: dwie wystawy roku rembrandtowskiego (i jeden obraz polski),' [A New Vision of Rembrandt's Personality and Creativity: Two Exhibitions of the Rembrandt Year (and One Polish Picture)]. Rocznik Historii Sztuki 33: 29–44. [in Polish]
  • Zimmerman, E. (1991), 'Rembrandt to Rembrandt: A case study of a memorable painting teacher of artistically talented 13 to 16 year‐old students,'. Roeper Review 13(2): 76–81. doi:10.1080/02783199109553315
  • Zlotnick, A. (1998), 'Rembrandt's self-portrait,'. The Lancet 351(9106): 915. doi:10.1016/S0140-6736(05)70337-8
  • Żygulski, Zdzisław (2000), 'Further Battles for the "Lisowczyk" (Polish Rider) by Rembrandt,'. Artibus et Historiae 21(41): 197–205. doi:10.2307/1483642

Novels, short stories, and poems

  • Berg, Janet Lee: Rembrandt's Shadow. (Post Hill Press, 2016, ISBN 978-1682611432)
  • Bertrand, Aloysius: Gaspard de la Nuit - Fantaisies à la manière de Rembrandt et de Callot [Gaspard of the Night - Fantasies in the Manner of Rembrandt and Callot] (1842) [in French]
  • Christopher, Paul: Rembrandt's Ghost [A Finn Ryan Novel, 3]. (Berkley, 2007, ISBN 978-0451221759)
  • Connor, Alexandra: The Rembrandt Secret. (Quercus Books, 2011, ISBN 978-1849163460)
  • Connor, Alexandra: The Other Rembrandt. (Silver Oak, 2011)
  • Cullen, Lynn: I Am Rembrandt's Daughter. (New York: Bloomsbury, 2007)
  • De Vries, Theun: Rembrandt. (Amsterdam, 1931)
  • Devereux, Kim: Rembrandt's Mirror. (London: Atlantic Books, 2015)
  • Johnston, Michael: Rembrandt Sings: A Tale of Forgery, Deceit, Sex And, Quite Possibly, Murder. (United Kingdom: Akanos, 2012)
  • Koot, Raymond (a.k.a. Typex): Rembrandt. (London: SelfMadeHero, 2013)
  • Lermontov, Mikhail: To the Picture of Rembrandt (poem, 1830) [in Russian]
  • Matton, Sylvie: Moi, la Putain de Rembrandt. (Paris: Plon, 1998) [in French]
  • Matton, Sylvie: Rembrandt's Whore. Translated from the French by Tamsin Black. (New York: Canongate, 2003)
  • McEntyre, Marilyn Chandler: Drawn to the Light: Poems on Rembrandt's Religious Paintings. (Grand Rapids, Michigan: Wm.B. Eerdmans Publishing, 2004)
  • Miano, Sarah Emily: Van Rijn. (London: Picador, 2006)
  • Moore, Steven M.: Rembrandt's Angel. (Penmore Press, 2017, ISBN 978-1946409027)
  • Schmitt, Gladys: Rembrandt. (New York: Random House, 1961)
  • Siegal, Nina: The Anatomy Lesson. (New York: Doubleday, 2014)
  • Silva, Daniel: The Rembrandt Affair. (Berkley Books, 2011, ISBN 978-0451233998)
  • Ternar, Yeshim: Rembrandt's Model. (Montreal: Véhicule Press, 1998)
  • Weiss, David: I, Rembrandt. (New York: St. Martin's Press, 1979)
  • Wharton, Edith: The Rembrandt, in Crucial Instances (short story collection, 1901)
  • Zuckmayer, Carl: Rembrandt. Ein Film. (Frankfurt am Main: Fischer Taschenbuch Verlag, 1980) [in German]

Films

Documentaries

Lectures and conferences

  • Rembrandt – Wissenschaft auf der Suche [Rembrandt – The Quest of Scholarship]. Beiträge des Internationalen Symposiums Berlin: 4. und 5. November 2006
  • Learning and Teaching with Rembrandt: Cross-Disciplinary Approaches to the Master Etcher [Symposium]. (Herbert F. Johnson Museum of Art, Cornell University, 28 October 2017)
  • Rembrandt et nous, André Malraux (Stockholm: National Museum of Stockholm, 1956) [in French]
  • Le visage dans l'œuvre gravé de Rembrandt, Claude-Jean Darmon, Académie des beaux-arts, conférence prononcée le 17 avril 2013 [in French]
  • Walter W.S. Cook Annual Lecture: Hercules Segers and Rembrandt, the Eccentric and the Traditionalist, Nadine Orenstein (The Institute of Fine Arts, New York University, 26 April 2017)

Visual arts

See also

References

  1. ^
    • Solman, Paul (21 June 2004). "Rembrandt's Journey". PBS.org. Retrieved 10 October 2018.
    • Crawford, Amy (12 December 2006). "An Interview with Stephanie Dickey, author of "Rembrandt at 400"". Smithsonian Magazine. Retrieved 10 October 2018.
    • Valiunas, Algis (25 December 2006). "Looking at Rembrandt". The Weekly Standard. Retrieved 10 October 2018.
  2. ^
    • Golahny, Amy (2001), 'The Use and Misuse of Rembrandt: An Overview of Popular Reception,'. Dutch Crossing: Journal of Low Countries Studies 25(2): 305–322
    • Cecil B. De Mille Foundation. "The Legacy of Cecil B. DeMille". Cecil B. De Mille Foundation (cecilbdemille.com). Retrieved 1 November 2018. In The Film Daily's biographical sketches of directors (July 1, 1928), DeMille was already being credited with “the first developments in lighting and photography.” While shooting The Warrens of Virginia (1915), DeMille had experimented with lighting instruments borrowed from a Los Angeles opera house. When business partner Sam Goldwyn saw a scene in which only half an actor's face was illuminated, he feared the exhibitors would pay only half the price for the picture. DeMille remonstrated that it was Rembrandt lighting. “Sam's reply was jubilant with relief,” recalled DeMille. “For Rembrandt lighting the exhibitors would pay double!”
    • Rivette, Kevin G.; Kline, David: Rembrandts in the Attic: Unlocking the Hidden Value of Patents. (Boston: Harvard Business School Press, 1999)
    • Sax, Joseph L.: Playing Darts with a Rembrandt: Public and Private Rights in Cultural Treasures. (Ann Arbor: University of Michigan Press, 1999, ISBN 0-472-11044-6)
    • Laszlo, Andrew; Quicke, Andrew: Every Frame a Rembrandt: Art and Practice of Cinematography. (Boston: Focal Press, 2000)
    • Amore, Anthony; Mashberg, Tom: Stealing Rembrandts: The Untold Stories of Notorious Art Heists. (New York: Palgrave Macmillan, 2012, ISBN 9780230108530)
    • Bush, George W.: Portraits of Courage: A Commander in Chief's Tribute to America's Warriors. (New York: Crown Publishers, 2017, ISBN 9780804189767), p. 12. In George W. Bush's own words, "I told Laura and our artist friend Pam Nelson that I might like to take up painting. They were surprised — I had been an art-agnostic all my life. Laura said, “You ought to try it.” It seemed like she was slightly skeptical. Pam suggested I hire her friend Gail Norfleet, a notable and talented Dallas artist, as my instructor. Several days later, Gail came over to the house and asked me what my objectives were. “Gail, there's a Rembrandt trapped in this body,” he told her. “Your job is to liberate him.”"
  3. ^ a b Slive, Seymour: Rembrandt and his Critics, 1630–1730. (The Hague: Martinus Nijhoff, 1953)
  4. ^ a b Franits, Wayne (ed.): The Ashgate Research Companion to Dutch Art of the Seventeenth Century. (Burlington, VT: Ashgate, 2016)
  5. ^ Dickey, Stephanie: Rembrandt and his Circle: Insights and Discoveries. (Amsterdam: Amsterdam University Press, 2017)
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