Benny Carter

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Benny Carter
Benny Carter.jpg
Background information
Birth name Bennett Lester Carter
Born (1907-08-08)August 8, 1907
Harlem, New York, United States
Died July 12, 2003(2003-07-12) (aged 95)
Los Angeles, California
Genres Swing, jazz
Occupation(s) Musician, bandleader, composer, musical arranger
Instruments Saxophone, trumpet, clarinet
Years active 1920s–1997
Labels Clef, Norgran, Verve, Pablo, Concord, MusicMasters
Website bennycarter.com

Bennett Lester Carter (August 8, 1907 – July 12, 2003) was an American jazz saxophonist, clarinetist, trumpeter, composer, arranger, and bandleader. With Johnny Hodges, he was a pioneer on the alto saxophone. From the beginning of his career in the 1920s he was a popular arranger, having written charts for Fletcher Henderson's big band that shaped the swing style. He had an unusually long career that lasted into the 1990s. During the 1980s and '90s, he was nominated for eight Grammy Awards, which included receiving a Lifetime Achievement Award.

Career

Born in New York City in 1907, he was given piano lessons by his mother and others in the neighborhood. He played trumpet and experimented briefly with C-melody saxophone before settling on alto saxophone. In the 1920s, he performed with June Clark, Billy Paige, and Earl Hines, then toured as a member of the Wilberforce Collegians led by Horace Henderson.[1] He appeared on record for the first time in 1927 as a member of the Paradise Ten led by Charlie Johnson.[2] He returned to the Collegians and became their bandleader through 1929, including a performance at the Savoy Ballroom in New York City.[1]

In his early 20s, Carter worked as arranger for Fletcher Henderson after that position was vacated by Don Redman. He had no formal education in arranging, so he learned by trial and error, getting on his knees and looking at the existing charts, "writing the lead trumpet first and the lead saxophone first—which, of course, is the hard way. It was quite some time that I did that before I knew what a score was."[3]

He left Henderson to take Redman's former job as leader of McKinney's Cotton Pickers in Detroit. In 1932 he formed a band in New York City that included Chu Berry, Sid Catlett, Cozy Cole, Bill Coleman, Ben Webster, Dicky Wells, and Teddy Wilson.[1] Carter's arrangements were complex. Among the most significant were "Keep a Song in Your Soul", written for Henderson in 1930, and "Lonesome Nights" and "Symphony in Riffs" from 1933, both of which show Carter's writing for saxophones.[4]

By the early 1930s he and Johnny Hodges were considered the leading alto saxophonists. Carter also became a leading trumpet soloist, having rediscovered the instrument. He recorded extensively on trumpet in the 1930s. Carter's short-lived Orchestra played the Harlem Club in New York but only recorded a handful of records for Columbia, OKeh and Vocalion. The OKeh sides were issued under the name The Chocolate Dandies.

Carter stands with Robert Goffin, Louis Armstrong, and Leonard Feather in 1942.

In 1933 Carter participated in sessions with British band leader Spike Hughes, who went to New York City to organize recordings with prominent African American musicians. These 14 sides plus four by Carter's big band, titled Spike Hughes and His Negro Orchestra, were only issued in England at the time. The musicians were from Carter's band and included Red Allen, Dicky Wells, Wayman Carver, Coleman Hawkins, J. C. Higginbotham, and Chu Berry.[5]

Carter moved to London and spent two years as arranger for the BBC Big Band.[2] In England, France, and Scandinavia he recorded with local musicians, and he took his band to the Netherlands. In these settings Carter played trumpet, clarinet, piano, alto and tenor saxophone, and provided occasional vocals.[1] In 1938 he returned to America. He found regular work leading his band at the Savoy Ballroom in Harlem through 1941. The band included Shad Collins, Sidney De Paris, Vic Dickenson, and Freddie Webster. After this engagement he led a seven-piece band which included Eddie Barefield, Kenny Clarke, and Dizzy Gillespie.

Portrait of Benny Carter, Apollo Theatre, New York City, c. October 1946

In the middle 1940s, he made Los Angeles his home, forming another big band, which at times included J. J. Johnson, Max Roach, and Miles Davis. But these would be his last big bands. With the exception of occasional concerts, performing with Jazz at the Philharmonic[3], and recording, he ceased working as a touring big band bandleader. Los Angeles provided him many opportunities for studio work, and these dominated his time during the next decades. He wrote music and arrangements for television and films, such as Stormy Weather in 1943. During the 1950s and '60s, he wrote arrangements for vocalists[3] such as Louis Armstrong, Ray Charles, Ella Fitzgerald, Peggy Lee, and Sarah Vaughan.[1] On something of a comeback in the 1970s[2], Carter picked up his saxophone again and toured the Middle East courtesy of the U.S. State Department. He began making annual visits to Europe and Japan.[1]

Carter performs at the North Sea Jazz Festival in 1985.

In 1969, Carter was persuaded to spend a weekend at Princeton University by Morroe Berger, a sociology professor at Princeton who wrote about jazz. This led to a new outlet for Carter's talent: teaching. For the next nine years he visited Princeton five times, most of them brief stays except for one in 1973 when he spent a semester there as a visiting professor. In 1974 Princeton gave him an honorary doctorate.[1] He conducted teaching at workshops and seminars at several other universities and was a visiting lecturer at Harvard for a week in 1987. Morroe Berger wrote Benny Carter – A Life in American Music (1982), a two-volume work about Carter's career.[6]

Time had little effect on Carter's abilities. During the 1980s he wrote the long composition Central City Sketches which was performed at Cooper Union by the American Jazz Orchestra. Another long composition, Glasgow Suite, was performed in Scotland. Lincoln Center commission him to write "Good Vibes" in 1990. The National Endowment for the Arts gave him a grant that led Tales of the Rising Sun Suite and Harlem Renaissance Suite. This music was performed in 1992 when he was 85 years old.[3]

Carter had an unusually long career. He was perhaps the only musician to have recorded in eight different decades.[2] Another characteristic of his career was its versatility as musician, bandleader, arranger, and composer. He helped define the sound of alto saxophone, but he also performed and recorded on soprano saxophone, tenor saxophone, trumpet, trombone, clarinet, and piano.[3]He helped establish a foundation for arranging as far back as 1930 when he arranged "Keep a Song in Your Soul" for Fletcher Henderson's big band. His compositions include the novelty hit "Cow-Cow Boogie" recorded by Ella Mae Morse, and the expansive Central City Sketches, written when he was 80 years old and recorded with the American Jazz Orchestra.[1]

Carter died at the age of 95 in Los Angeles at Cedars-Sinai Medical Center on July 12, 2003 from complications of bronchitis.[7][8]

Awards and honors

He was inducted into the Down Beat Jazz Hall of Fame in 1977. In 1978, he was inducted into the Black Filmmakers Hall of Fame.[9] In 1980 he received the Golden Score award of the American Society of Music Arrangers and Composers. His 75th birthday was commemorated by a radio station in New York that played his music nonstop for over a week.[1] The National Endowment for the Arts gave him the NEA Jazz Masters Award for 1986.[10]

He was given a Grammy Lifetime Achievement Award in 1987. In 1994 he won a Grammy Award for his solo on "Prelude to a Kiss" and received a star on the Hollywood Walk of Fame.

In 1989 Lincoln Center celebrated Carter's 82nd birthday with a set of his songs sung by Ernestine Anderson and Sylvia Syms. In 1990, he was named Jazz Artist of the Year in the DownBeat and JazzTimes polls. He was a Kennedy Center Honoree in 1996 and received honorary doctorates from Princeton (1974),[11] Rutgers (1991),[12] Harvard (1994), and the New England Conservatory of Music (1998).[13] In 2016 the National Museum of American History made Carter the subject of its Jazz Appreciation Month poster.[14]

In 2000 he was given the National Medal of Arts by President Bill Clinton.[15][16]

Grammy Awards

  • Wins: 2
  • Nominations: 9[17]
Year Category Title Notes
1963 Best Background Arrangement (Behind vocalist or instrumentalist) "Busted" Nomination
1986 Best Jazz Instrumental Performance, Group Swing Reunion Nomination
1987 Lifetime Achievement Award Win
1988 Best Instrumental Composition "Central City Sketches (Side 2)" Nomination
1992 Best Large Jazz Ensemble Performance Harlem Renaissance Nomination
1992 Best Instrumental Composition "Harlem Renaissance Suite" Win
1993 Best Jazz Instrumental Solo "The More I See You" Nomination
1994 Best Instrumental Composition "Elegy in Blue" Nomination
1994 Best Jazz Instrumental Performance, Individual Or Group Elegy in Blue Nomination
1994 Best Jazz Instrumental Solo "Prelude to a Kiss" Win

Discography

Information from AllMusic.com[18]

Year Title Notes Label
1952 Alone Together with the Oscar Peterson Quintet Norgran
1953 Cosmopolite Clef
1954 Benny Carter Plays Pretty also released as Moonglow Norgran
1954 The Formidable Benny Carter Norgran
1954 The Urbane Mr. Carter Norgran
1955 New Jazz Sounds with Dizzy Gillespie and Bill Harris Norgran
1957 Urbane Jazz with Roy Eldridge Verve
1958 Jazz Giant Contemporary
1958 Swingin' the '20s with Earl Hines Contemporary
1958 The Fabulous Benny Carter Band Audio Lab
1959 Aspects also released as The Benny Carter Jazz Calendar United Artists
1960 Sax ala Carter! United Artists
1961 Further Definitions Impulse!
1962 BBB & Co. with Ben Webster & Barney Bigard Prestige
1963 Benny Carter in Paris 20th Century Fox
1966 Additions to Further Definitions CD re-released as bonus tracks on Further Definitions Impulse!
1976 The King Pablo
1976 Wonderland Pablo
1976 Carter, Gillespie Inc. with Dizzy Gillespie Pablo
1977 Montreux '77 Fantasy/OJC
1978 Live and Well in Japan Pablo
1980 Summer Serenade Storyville
1983 Skyline Drive Phontastic
1985 A Gentleman and His Music Concord
1987 Central City Sketches MusicMasters
1987 Benny Carter Meets Oscar Peterson Pablo
1987 Billy Eckstine Sings with Benny Carter EmArcy
1988 In the Mood for Swing MusicMasters
1989 My Kind of Trouble Pablo
1989 Over the Rainbow Musical Heritage Society
1990 Cookin' at Carlos I MusicMasters
1990 Marian McPartland Plays the Benny Carter Songbook Concord Jazz
1990 My Man Benny, My Man Phil with Phil Woods MusicMasters
1991 All That Jazz – Live at Princeton MusicMasters
1992 Harlem Renaissance MusicMasters
1994 Elegy in Blue MusicMasters
1996 Another Time, Another Place Evening Star
1997 New York Nights MusicMasters

As arranger

Year Title Artist Genre Label
1960 Kansas City Suite Count Basie and His Orchestra Jazz Roulette
1961 The Legend Count Basie and His Orchestra Jazz Roulette
1962 Big Band Jazz from the Summit Louis Bellson Jazz Roulette
1963 The Explosive Side of Sarah Vaughan Sarah Vaughan Jazz Roulette
1963 The Lonely Hours Sarah Vaughan Jazz Roulette
1963 Mink Jazz Peggy Lee Jazz Capitol
1964 Keely Smith Sings the John Lennon—Paul McCartney Songbook Keely Smith Jazz Reprise
1967 Portrait of Carmen Carmen McRae Jazz Atlantic
1968 Manufacturers of Soul Jackie Wilson and Count Basie Soul jazz Brunswick
1968 30 by Ella Ella Fitzgerald Jazz Capitol
1979 A Classy Pair Ella Fitzgerald with the Count Basie Orchestra Jazz Pablo

As sideman

With Louis Bellson

With Dizzy Gillespie

With Jazz at the Philharmonic

'With Peggy Lee

With Dave Pell

  • I Remember John Kirby (Capitol, 1961)

Songs composed by Carter

Film and video

See also

References

  1. ^ a b c d e f g h i j Berger, Edward (2002). Kernfeld, Barry, ed. The New Grove Dictionary of Jazz. 1 (2nd ed.). New York: Grove's Dictionaries. p. 172. ISBN 1-56159-284-6. 
  2. ^ a b c d Yanow, Scott. "Benny Carter". AllMusic. Retrieved 26 April 2018. 
  3. ^ a b c d e Gioia, Ted (2011). The History of Jazz (2 ed.). New York: Oxford University Press. pp. 108–. ISBN 978-0-19-539970-7. 
  4. ^ Martin, Henry; Waters, Keith (2006). Jazz: The First 100 Years (2 ed.). Belmont, California: Thomson / Schirmer. ISBN 0-534-62804-4. 
  5. ^ Yanow, Scott (2003). Jazz on Record. San Francisco, California: Backbeat. p. 169. ISBN 0-87930-755-2. 
  6. ^ Berger, Morroe; Berger, Edward; Patrick, James (1982). Benny Carter: A Life in American Music. Metuchen, N.J.: Scarecrow Press and the Institute of Jazz Studies, Rutgers University. ISBN 0-8108-1580-X. 
  7. ^ Wilson, John S. (14 July 2003). "Benny Carter – jazz career spanned 8 decades". SFGate. Retrieved 26 April 2018. 
  8. ^ "Benny Carter: August 8, 1907 - July 12, 2003". www.bennycarter.com. Retrieved 26 April 2018. 
  9. ^ Giddins, Gary (15 November 2004), Weather Bird: Jazz at the Dawn of Its Second Century, Oxford University Press, pp. 150–, ISBN 978-0-19-534816-3, retrieved 26 April 2018 
  10. ^ Official NEA Jazz Masters Awards List Archived September 27, 2007, at the Wayback Machine.
  11. ^ Benny Carter News
  12. ^ Crespo, Roberto. "Benny Carter The Rutgers Connection". newarkwww.rutgers.edu. Retrieved 26 April 2018. 
  13. ^ New England Conservatory Honorary Doctor of Music Recipients Archived October 19, 2007, at the Wayback Machine.
  14. ^ Salocks, Meg; Shrumm, Regan (31 March 2016). "3 things to know about Benny Carter, an unsung champion of jazz". National Museum of American History. Retrieved 30 April 2018. 
  15. ^ "Benny Carter: Gallery: Book Vintage Record Labels". Benny Carter. Retrieved 26 April 2018. 
  16. ^ National Medal of Arts List Archived July 21, 2011, at the Wayback Machine.
  17. ^ "Benny Carter". GRAMMY.com. 14 May 2017. Retrieved 27 April 2018. 
  18. ^ "Benny Carter | Album Discography | AllMusic". AllMusic. Retrieved 27 April 2018. 

External links

  • Benny's Music Class, Audio clips at the National Museum of American History web site
  • Benny Carter: "Souvenir of Benny" by Alex Henderson, The New York City Jazz Record
  • Biography on swingmusic.net
  • Benny Carter's entry in Jazz Improv magazine
  • Benny Carter Audio Collection, Institute of Jazz Studies, Dana Library, Rutgers University, Newark, New Jersey
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